Arts Innovator Award
Artist Trust
Two Washington artists a year receive USD 25,000 for pushing at the edges of their field, with no project report attached.
Stage 1 of 5
Money paid to a writer to write: a first draft, a rewrite, a treatment or a series bible. Most of these take an application from the writer alone, with a sample and a short description of the project, and the sum covers months of writing rather than a budget line. Public funds pay them as grants; a few are bursaries or residencies with a stipend.
121 listed.
Nothing matches. Try another stage, or leave the country on "any country": international funds are listed under every country they are open to.
Artist Trust
Two Washington artists a year receive USD 25,000 for pushing at the edges of their field, with no project report attached.
Illinois Arts Council
Illinois pays working artists USD 10,000 by lottery rather than by jury: show an active practice with two work samples and the state lottery draws the winners region by region.
Artist Trust
Washington State's merit award for working artists: USD 10,000 with no strings, judged on the body of work rather than a project.
Artist Trust
Small, fast and plentiful: 65 Washington artists a year receive USD 2,500 toward a specific project, from research travel to a first draft.
New York Foundation for the Arts, with the New York State Council on the Arts
An unrestricted USD 8,000 for the artist rather than the project, awarded by peer panels in rotating disciplines.
the Academy of Motion Picture Arts and Sciences
The best known paid year of writing in American film: a USD 35,000 stipend to finish a new feature screenplay, open to unproduced writers anywhere in the world.
SFFILM, with the Kenneth Rainin Foundation
One of the few American grants that pays a screenwriter directly to write, and it can also fund packaging or the edit of the same film later.
Indigenous Screen Office
An Indigenous writer can apply here alone, without a producer or broadcaster, for research, script drafts, story editing, knowledge keepers and pitch materials.
Canada Council for the Arts
Since 2026 the Council's Artistic Creation grant stands in for two retired components, Concept to Realization and Research and Creation, and it is the arts council route for a screenwriter…
Manitoba Arts Council
A general creation grant open to every discipline, so a Manitoba screenwriter applies as a writer or media artist for time to write or to develop a work in progress.
Conseil des arts et des lettres du Quebec (CALQ)
Quebec's standing creation grant takes applications any day of the year, which is rare among public arts funders.
Alberta Foundation for the Arts
Script or screenplay writing is named on the page as a phase this grant can pay for, which makes it one of the few provincial grants a screenwriter can take to the page stage alone.
Arts Nova Scotia
Nova Scotia pays its artists to make new work across every discipline, media and literary arts included, and accepts script samples as support material.
SK Arts (Saskatchewan Arts Board)
Writing a script is an eligible creation project in Saskatchewan when the filmmaker who will direct it is the applicant; the guidelines use exactly that case as an example.
SODEC, Société de développement des entreprises culturelles (Québec)
Québec's cultural agency pays production companies to write fiction features and medium or feature documentaries, in a selective round twice a year, with a separate strand for animated…
Ministerio de las Culturas, las Artes y el Patrimonio, Fondo de Fomento Audiovisual (Chile's Ministry of Cultures)
Chile's culture ministry runs a screenplay line inside its audiovisual fund, paying up to CLP 5 million to write a first draft of a feature or pilot and up to CLP 8 million to take a…
Proimágenes Colombia, for the Fondo para el Desarrollo Cinematográfico and the CNACC
Funded by a levy on tickets and distribution, Colombia's FDC is the one national fund in the region with a plain screenwriting modality a writer can enter alone, beside development…
DGCINE, Dirección General de Cine (Dominican Republic's film directorate)
A small national fund with a clear yearly rhythm: one public contest each summer, DOP 17.5 million shared among about sixteen projects.
ACAU, Agencia del Cine y el Audiovisual del Uruguay (Uruguay's film and audiovisual agency)
Uruguay's agency groups its national money into a calendar of calls: script and project development, production of features, series and shorts, minority co-productions, plus the Programa…
The Arts Council / An Chomhairle Ealaíon (Ireland)
A first-rung grant for artists the Arts Council has never funded as individuals, to develop their practice, work or skills.
The Arts Council / An Chomhairle Ealaíon (Ireland)
The Arts Council's project grant for film as an art form, open to an individual filmmaker as much as to a company, with a ceiling of ninety thousand euro.
Screen Ireland / Fís Éireann
Ireland's writer-only development loan: a produced screenwriter takes an idea to a first draft with a script editor, and a producer attached makes the application ineligible.
BFI NETWORK (British Film Institute), National Lottery
One of very few British public grants a writer can hold alone, paid to write a treatment for a debut feature before any script exists.
Ffilm Cymru Wales, National Lottery via Arts Council of Wales and BFI NETWORK
Development money for a single feature, documentary or animated film with a Welsh writer, director or producer at its head, and a lone writer may apply.
Screen Scotland and BFI NETWORK, delivered by Film City Futures with Glasgow Film
Development money for a first feature script in Scotland, paid to the writer rather than a company.
Northern Ireland Screen
Northern Ireland Screen's only door for an individual writer: up to four first-time feature writers a year join an eight-month development scheme and can then claim a small individual award.
Creative Scotland, National Lottery and Scottish Government
Creative Scotland's general grant for individual artists and writers, paying for a period of research, development or making, with the applicant's own time an allowed cost.
Arts Council of Northern Ireland, National Lottery
Northern Ireland's lottery grant for an individual artist's own project, covering new work, research, time to create, residencies or training.
Scottish Documentary Institute
A small grant for the writing phase of a first or second feature documentary by a director based in Scotland, before there is anything to shoot.
BMWKMS, Bundesministerium für Wohnen, Kunst, Kultur, Medien und Sport, Filmabteilung (Austrian federal ministry for arts and culture, film department)
For the stage before a project can even apply for development: a few months of paid time to turn a rough idea into a treatment or concept.
BMWKMS, Bundesministerium für Wohnen, Kunst, Kultur, Medien und Sport, Filmabteilung (Austrian federal ministry for arts and culture, film department)
The federal arts ministry's screenplay stipend for the independent, low-budget end of Austrian cinema: features whose production the same department might later fund.
ÖFI, Österreichisches Filminstitut (Austrian Film Institute)
Austria's national script grant for cinema features and documentary concepts, paid directly to the writer and exempt from income tax.
Land Niederösterreich, Abteilung Kunst und Kultur (Lower Austria regional government, arts and culture department)
Lower Austria pays four filmmakers EUR 6,000 each for a year of idea and story work: research, treatment, storyboard, shooting concept or screenplay, in any genre.
Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles
French-speaking Belgium's writing aid for features pays a screenwriter up to EUR 15,000 and takes the application from the writer directly, with EEA nationals eligible alongside Belgians.
Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles
A full ladder for documentary in French-speaking Belgium, from EUR 10,000 to write a film through development to production grants that top out at EUR 120,000 for a series.
Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles
Series money in French-speaking Belgium flows only once a broadcaster has signed, and then it is generous: EUR 25,000 to start the writers' room, EUR 150,000 to develop and EUR 600,000 to…
VAF, Vlaams Audiovisueel Fonds (Flanders Audiovisual Fund)
The Flemish fund's entry point for a writer alone: EUR 15,000 to write a feature or documentary script, filed in Dutch, with the same money later deducted from any production grant.
VAF, Vlaams Audiovisueel Fonds (Flanders Audiovisual Fund)
The Flemish fund's television arm, where a series can start with up to EUR 25,000 of script money before any channel signs on, and climb to EUR 1.3 million for a high-end production.
Fondacija za kinematografiju Sarajevo (Cinematography Foundation, Federation of Bosnia and Herzegovina)
Bosnia's federal film foundation runs one call a year that bundles everything, from a small screenplay development line a writer can claim as a natural person (BAM 3,000 to 6,000) to…
Национален филмов център, НФЦ (Bulgarian National Film Center)
Bulgaria runs two general sessions a year for feature projects, plus one for co-productions with the national broadcaster BNT.
Hrvatski audiovizualni centar, HAVC (Croatian Audiovisual Centre)
Croatia lets a writer apply alone for script money, and up to two co-writers may share one grant equally. Features need 70 minutes, documentaries 60, animation 24.
Hrvatski audiovizualni centar, HAVC (Croatian Audiovisual Centre)
A ring-fenced pot for family films.
Hrvatski audiovizualni centar, HAVC (Croatian Audiovisual Centre)
The television twin of HAVC's film development call, for series writers.
Státní fond audiovize (Czech Audiovisual Fund)
A rare European script grant paid straight to the writer rather than a producer.
Statens Kunstfond (Danish Arts Foundation)
A personal grant from the Danish state's arts foundation for the artist's own practice, not for a particular film's budget. It pays for time to work, which for a writer means time to write.
Det Danske Filminstitut (Danish Film Institute)
Denmark's main route for features judged on their artistic merit.
Det Danske Filminstitut (Danish Film Institute)
For Danish features expected to draw a larger cinema audience than the national average.
Eesti Kultuurkapital (Cultural Endowment of Estonia)
Estonia's second film funder, financed by excise taxes and run as an endowment with four deadlines a year.
Eesti Filmi Instituut (Estonian Film Institute)
Estonia's script money comes in small steps: a treatment round, then stage I and stage II of script development at up to EUR 5,000 each, applied for by the writer's company or a producer.
AVEK, Audiovisuaalisen kulttuurin edistämiskeskus (Promotion Centre for Audiovisual Culture), part of Kopiosto
Small, fast and personal: AVEK pays a writer EUR 3,500 to plan and write a documentary, short fiction, short animation or media art piece, with no company and no deadline.
Suomen elokuvasäätiö (Finnish Film Foundation)
Finland pays its screenwriters a monthly allowance to write: EUR 2,000 a month for up to a year, with no producer or company needed.
Kone Foundation (Koneen Saatio)
Finland's largest private arts funder pays artists a monthly grant to work in peace, from six months to three years, and says yes to every art form, so a screenwriter applies on the…
CNC, Centre national du cinéma et de l'image animée (French national film center)
A single EUR 40,000 payment for an experienced series writer to build a new show from scratch, with no producer required.
CNC, Centre national du cinéma et de l'image animée (French national film center)
Not a project grant but time: EUR 20,000 for an author with a track record to think before writing the next thing, with no synopsis or producer required.
CNC, Centre national du cinéma et de l'image animée (French national film center)
A newer CNC line for documentary series, paying the author EUR 15,000 to write a show of three or more episodes before any broadcaster is involved.
CNC, Centre national du cinéma et de l'image animée (French national film center)
Money for a writers' team that spans borders: a French author and a co-author of another nationality share EUR 50,000 to write the pilot of a series built as a co-production.
CNC, Centre national du cinéma et de l'image animée (French national film center)
Flat-rate money for writing a television series or single drama before any producer is attached, paid straight to the author.
CNC, Centre national du cinéma et de l'image animée (French national film center)
Documentary writers can start here alone with EUR 10,000 and stay in the same fund as a producer comes on board, up to a reinforced development sum that pays for a first shoot.
CNC, Centre national du cinéma et de l'image animée, with the Agence nationale de la cohésion des territoires
A fund for stories about the France that mainstream screens miss, reformed in April 2026.
Région Île-de-France
The largest French regional writing bursary, paying an author EUR 8,000 to EUR 18,000 plus pitch coaching, in exchange for running a workshop with students.
Région Nouvelle-Aquitaine
A small, early grant for the stage before a treatment exists: research, interviews, location visits.
Région Nouvelle-Aquitaine, run with ALCA (the regional book, film and audiovisual agency)
One of the biggest regional funds in France, covering writing, development and production for cinema and television across six genre committees.
Association Beaumarchais-SACD
A writer alone, writing in French from anywhere in the world, can win EUR 5,000 for a first or second fiction feature.
Association Beaumarchais-SACD
The television twin of the Beaumarchais feature bursary: EUR 5,000 to an emerging writer for an original series or single drama in French, with web series welcome.
A media group's foundation has handed out bourses to young creators since 1990, and three of its twelve categories are for screen storytellers: TV screenwriter, documentary author and…
FFA, Filmförderungsanstalt (German Federal Film Board), running the federal jury-based cultural film funding since 2025
The federal screenplay grant that writers apply for alone, since the 2025 film law moved the BKM's cultural funding into the FFA.
Kuratorium junger deutscher Film (foundation for young German film)
Germany's talent fund pays a writer up to EUR 25,000 to develop an original idea from research to script over ten months, with a dramaturg attached.
FFA, Filmförderungsanstalt (German Federal Film Board)
New under the 2025 film law: when a German feature scores reference points, its writer and director get their own pot to spend on the next script, from a first idea to a finished…
Film- und Medienstiftung NRW (North Rhine-Westphalia film and media foundation)
A ladder of grants from a five-thousand-euro exposé to a twenty-thousand-euro screenplay, with the first rung open to NRW writers on their own and no producer required.
nordmedia, Film- und Mediengesellschaft Niedersachsen/Bremen
Lower Saxony and Bremen's fund lets a writer apply for script development money alone, up to EUR 30,000, though the sum is a loan due if the film gets made.
MFG Baden-Württemberg, Filmförderung (Baden-Württemberg film fund)
Baden-Württemberg's script line takes a writer's own application for a fiction feature, while documentaries and series need a company.
MOIN Filmförderung Hamburg Schleswig-Holstein
NEST replaced the treatment and screenplay schemes in Hamburg and Schleswig-Holstein in favor of a residency plus tools model: EUR 7,500 for the idea, a week with Le Groupe Ouest, then a…
FFF Bayern, FilmFernsehFonds Bayern (Bavarian film and television fund)
Bavaria pays a fixed EUR 30,000 for a feature or series screenplay, and a writer can apply directly as long as a Bavarian producer signs a letter of intent.
MDM, Mitteldeutsche Medienförderung (central German media fund for Saxony, Saxony-Anhalt and Thuringia)
Central Germany funds a writer's screenplay, series concept or storyworld with a loan of up to EUR 25,000, rising to EUR 30,000 through a company, then project development and production…
MV Filmförderung (Mecklenburg-Vorpommern film fund)
A small northeastern fund with an unusual perk: script development is an outright grant of up to EUR 20,000, and a writer can apply with just a producer's letter.
HessenFilm und Medien (Hessen film and media fund)
Hessen hands writers a grant for a treatment on a rolling basis and up to EUR 30,000 for a screenplay three times a year, with the writer applying alone if they live in the state.
EKKOMED, Hellenic Film and Audiovisual Center (formerly the Greek Film Centre)
Greece pays a writer directly to get from idea to first draft: EUR 4,000 to 7,000 against a logline, a 2,000 to 5,000 word treatment and a statement of intent, with the money returned if…
EKKOMED, Hellenic Film and Audiovisual Center (formerly the Greek Film Centre)
The same writing grant as the main program, reserved for projects whose director has never made a feature, with twelve months to deliver a first draft or a 2,500 word documentary treatment.
Nemzeti Filmintézet, NFI (National Film Institute Hungary)
Hungary's national money for scripts is on hold.
Kvikmyndamiðstöð Íslands (Icelandic Film Centre)
Iceland pays for scripts in two stages, a first draft and then its development, each worth up to ISK 1.5 million for features, with a combined ISK 3 million for writers who have done it…
Direzione Generale Cinema e Audiovisivo, Ministero della Cultura
Italy's state money for a writer alone: EUR 10,000 to 20,000 to write a fiction or documentary screenplay for a feature or series over 52 minutes, for cinema, television or the web.
Regione Autonoma della Sardegna, Servizio sport, spettacolo e cinema
Sardinia's cinema law has a line just for screenplays, paid to a company developing a script of regional interest, beside its calls for shorts, features and distribution.
Qendra Kinematografike e Kosovës, QKK (Kosovo Cinematography Center)
Kosovo's yearly call has 14 categories, and two pay for writing: screenplay support for a feature (fiction or animated) and, new in 2026, for a television series, beside a project…
Valsts kultūrkapitāla fonds, VKKF (State Culture Capital Foundation)
Latvia's arts foundation runs three open competitions a year, with film as one sector.
Lietuvos kino centras (Lithuanian Film Centre)
Lithuania's state film money for the stages before shooting, from writing a feature or animated feature script to developing documentaries, series, interactive work and debut films.
Film Fund Luxembourg (Fonds national de soutien à la production audiovisuelle), with the Centre national de l'audiovisuel
Luxembourg's grant for a writer working alone: up to EUR 10,000 and two workshops to get a first full draft of a feature or series, without a company attached and with nothing to repay.
Film Fund Luxembourg (Fonds national de soutien à la production audiovisuelle)
The producer-side writing and development aid in Luxembourg, up to EUR 60,000 per phase, scored by a five-member committee on a points grid.
Filmski centar Crne Gore (Film Centre of Montenegro)
Montenegro's centre describes an annual call in three parts, script development, project development and production, but the 2026 call opened only production categories: features with…
Nederlands Filmfonds (Netherlands Film Fund)
The Dutch route from idea to first draft, worth up to EUR 35,000 for the writer, open to an experienced screenwriter without a producer.
Hubert Bals Fund, International Film Festival Rotterdam
One of the few international grants a writer-director can take alone and spend on writing: research, drafts, translation, a script consultant or a trip to pitch.
Norsk filminstitutt (Norwegian Film Institute)
The documentary twin of NFI's fiction script grant: a single payment of NOK 100,000 or 150,000 to a writer or director for the idea and script stage of a documentary.
Norsk filminstitutt (Norwegian Film Institute)
Fixed sums paid straight to the writer to take a feature or series from idea to treatment and on to a revised first draft, with no producer required.
The investment and grant fund for central Norway, covering drama and documentary series, features and cinema documentaries.
ICA, Instituto do Cinema e do Audiovisual
The television and streaming sibling of the film writing support: a producer draws up to EUR 30,000 to write and develop a series, or EUR 80,000 when a pilot is part of the plan.
ICA, Instituto do Cinema e do Audiovisual
Portugal's writing and development support pays a producer to fund the writer and the first development steps, with a plans track for slates of three or more projects and a singles track…
Audiovizuálny fond (Slovak Audiovisual Fund)
Slovakia pays for development twice over: a flat grant to the producer, sized by the kind of work, and a creative scholarship an author can claim alone to write.
Slovenski filmski center (Slovenian Film Centre)
Slovenia splits development in two: a script strand a self-employed screenwriter can enter directly, worth up to EUR 20,000, and a project strand for producers worth up to EUR 40,000.
ICAA, Instituto de la Cinematografía y de las Artes Audiovisuales (Spanish Ministry of Culture)
The one Spanish grant a screenwriter applies to with no producer: a fixed EUR 30,000 (EUR 20,000 for documentary) to write a feature, judged anonymously on a treatment and sample.
Institut Valencià de Cultura, IVC (Generalitat Valenciana)
Valencia pays a writer EUR 9,600 to draft a feature, miniseries, documentary or animated script, read anonymously as a treatment, a note of intent and a five-minute sample.
Svenska Filminstitutet (Swedish Film Institute)
The Swedish Film Institute's development money for features, covering synopsis, treatment, drafts, a dramaturg and research.
Bundesamt für Kultur, BAK / Office fédéral de la culture (Swiss Federal Office of Culture)
Switzerland's federal money, with a CHF 30,000 screenplay grant at the writing end and production grants that reach CHF 1.2 million.
Kanton Bern, Amt für Kultur (canton of Bern)
A cantonal fund with a writer-first first step: a Bern author gets CHF 5,000 or CHF 10,000 to write a treatment, paid out as soon as it is granted, then up to CHF 30,000 for the script.
Cinéforom, Fondation romande pour le cinéma (the fund of French-speaking Switzerland)
A top-up rather than a competition: when a Romand producer puts its own success credits into paying a writer, Cinéforom adds 60 to 80 percent on top, up to CHF 25,000, with no deadline and…
Zürcher Filmstiftung (Zurich Film Foundation)
The richest regional fund in Switzerland treats the writer as an applicant in their own right: a CHF 30,000 stipend tied to the person rather than a project, and development money an…
Український культурний фонд (Ukrainian Cultural Foundation)
A wartime route to script money in Ukraine: the Cultural Foundation's audiovisual program pays producers to write and package new films, UAH 300,000 to 1 million each, while the state film…
T.C. Kültür ve Turizm Bakanlığı, Sinema Genel Müdürlüğü (Turkish Ministry of Culture and Tourism, Directorate General of Cinema)
Turkey's national script grant goes to the writer alone, filed through the state e-government portal.
Israel Film Fund (קרן הקולנוע הישראלי)
The country's main feature fund invests in writing from an extended synopsis to a full draft, and a screenwriter can apply without a producer in the general round.
CCM, Centre Cinématographique Marocain (Moroccan Cinema Center)
Morocco finances its cinema through an advance on receipts paid to production companies before or after the shoot, three sessions a year, plus a contribution to writing and rewriting…
FOPICA, Fonds de Promotion de l'Industrie Cinématographique et Audiovisuelle (Senegal)
Senegal's state fund has a development line that an author can apply for directly, paying up to XOF 5 million for rewriting, scouting, casting and the hunt for co-producers before a film…
NFVF, National Film and Video Foundation (South Africa)
South Africa's national foundation pays for the writing stage itself: research, script editing and drafts for features, shorts, documentaries and TV formats, with a producer fee allowed in…
KOFIC, Korean Film Council (영화진흥위원회)
The Korean Film Council pays individual screenwriters KRW 10 million to write a first draft or an adaptation draft of a feature, with about 85 scripts funded a year in two rounds.
Busan International Film Festival
A true script grant: KRW 10 million to finish a first or second feature screenplay, applied for by the writer-director with a five to ten page treatment and no producer required.
Screen Australia, First Nations Department
Draft money for feature screenplays by Aboriginal and Torres Strait Islander writers with a track record.
Screen Australia, First Nations Department
Series bibles, treatments and scripts for telemovies and television drama led by First Nations writers. The series cap of AUD 65,000 is the highest of the department's development strands.
Screen Queensland
Since July 2024 Queensland's development money has been a straight grant with no copyright interest taken, unusual among the Australian state agencies.
VicScreen
Victoria's open-door development scheme for fiction, documentary and VR, with no closing date.
Screen NSW
New South Wales pays only the NSW spend, so a Sydney-based writer's fee is exactly what it covers.
Screenwest
Year-round development money for First Nations writers and producers in Western Australia, covering writers' rooms, new drafts, story developers and casting agents for scripted work, or…
Screenwest
Small early money, AUD 10,000 at most, to take a long-form idea to market-ready pitch materials in Western Australia.
NZ On Air with Sky and Dynamic Television
A new co-development fund, announced October 29, 2026, for up to three one-hour New Zealand drama series with international legs.
Te Tumu Whakaata Taonga, New Zealand Film Commission (NZFC)
The commission's single development door, folded from the old Early and Advanced schemes, and one a writer can walk through alone.