Documentary Development Program
Screen Australia
Development money for documentaries headed for cinemas, television or direct-to-audience platforms such as YouTube and VR.
Screen Australia, the state agencies, the New Zealand Film Commission and the arts councils of both countries.
39 listed.
Nothing matches. Try another stage, or leave the country on "any country": international funds are listed under every country they are open to.
Screen Australia
Development money for documentaries headed for cinemas, television or direct-to-audience platforms such as YouTube and VR.
Screen Australia
Three lanes for documentary production: Producer First for films still closing finance, Platform First for commissioned programs, and Direct-to-Audience for work released on YouTube…
Screen Australia, First Nations Department
Treatments, draft scripts, research and sizzle shooting for documentaries by First Nations key creatives, including emerging producers.
Screen Australia, First Nations Department
Draft money for feature screenplays by Aboriginal and Torres Strait Islander writers with a track record.
Screen Australia, First Nations Department
Production and post-production investment for low-budget features written and directed by First Nations filmmakers.
Screen Australia, First Nations Department
Series bibles, treatments and scripts for telemovies and television drama led by First Nations writers. The series cap of AUD 65,000 is the highest of the department's development strands.
Screen Australia
The national agency's one development door for drama and comedy on any platform: cinema features, television and streaming series, and work released straight to online audiences.
Screen Australia
Production finance for features, television and direct-to-audience drama, in two feature lanes: Market First for packages with distribution attached and Creative First for bolder films…
South Australian Film Corporation (SAFC) with the ABC
Early concept money aimed at one buyer: drama, comedy, children's, factual and documentary ideas for the ABC, developed in South Australia from an outline or treatment.
Screen Queensland
Since July 2024 Queensland's development money has been a straight grant with no copyright interest taken, unusual among the Australian state agencies.
VicScreen
Victoria's open-door development scheme for fiction, documentary and VR, with no closing date.
Screen NSW
New South Wales pays only the NSW spend, so a Sydney-based writer's fee is exactly what it covers.
Screen Canberra, for the ACT Government
Grants for Canberra creators who publish their own short-form narrative, comedy, factual or animation online, with two local key creatives and no commission attached.
South Australian Film Corporation (SAFC)
A development grant that opens after the first draft and asks for a South Australian writer or director from an underrepresented group, with D/deaf and disabled creatives first in line.
Screenwest
Pitch decks, treatments, sizzle reels and the attaching of producers for Western Australian documentary features, singles, series and large-format work.
Screenwest
Production money for Western Australian documentary singles, series, features and large-format films that already have a market partner, matched against that partner's cash.
Screenwest
Year-round development money for First Nations writers and producers in Western Australia, covering writers' rooms, new drafts, story developers and casting agents for scripted work, or…
Screenwest
Once a broadcaster or distributor puts development money into a Western Australian project, Screenwest can match it within eight weeks of the deal. The investment is repaid on production.
South Australian Film Corporation (SAFC)
Automatic rather than judged: if a project led from South Australia has development money confirmed from Screen Australia or the market, the SAFC matches it, subject to funds.
Screen Queensland
A rare production grant a solo writer-creator can hold alone: episodic series for YouTube, TikTok or Instagram, or one-off XR, with no IP taken and marketing costs allowed.
VicScreen
Slate money for established Victorian drama and comedy companies: at least three early-stage series over 12 to 24 months, with VicScreen's grant matched by the company and not recouped.
Screen NSW
The state's production money is a grant, not equity: Screen NSW cash-flows it and the producer keeps ownership.
Screen Queensland
Production finance for features, series and documentaries that spend in Queensland, scaled to that spend.
South Australian Film Corporation (SAFC)
South Australia's main production money, sized at up to a tenth of what a project spends in the state and open all year.
Screen NSW
A short-film production fund for New South Wales teams led or co-led by a filmmaker with a disability.
Screenwest
Small early money, AUD 10,000 at most, to take a long-form idea to market-ready pitch materials in Western Australia.
Screenwest
Grant finance of up to AUD 700,000 for features and series shot in Western Australia with a buyer already attached.
Screenwest
Development money for Western Australian features and television series that already have real material: outlines, a pilot, a bible or a draft screenplay. Four rounds a year.
Screen Queensland
Grants of up to AUD 50,000 for 5 to 15 minute shorts aimed at cinema screens, with a polished screenplay required at application and no treatments accepted.
Screen Canberra, for the ACT Government
Canberra's production grant for scripted and unscripted work with a confirmed path to audience, from a commercial half hour upward, paying up to AUD 300,000 without recoupment.
VicScreen
Production investment tied to how much a film or series spends in Victoria: between 3 and 10 percent of that spend, cash-flowed into the production while the producer keeps the equity.
NZ On Air with Sky and Dynamic Television
A new co-development fund, announced October 29, 2026, for up to three one-hour New Zealand drama series with international legs.
Te Māngai Pāho (Māori Broadcasting Funding Agency)
The Māori broadcasting agency funds te reo Māori content by language level rather than platform, through themed rounds: Ngahau for entertainment, Whāngai for learners, Mōhiohio for factual…
Te Tumu Whakaata Taonga, New Zealand Film Commission (NZFC)
The commission's single development door, folded from the old Early and Advanced schemes, and one a writer can walk through alone.
Te Tumu Whakaata Taonga, New Zealand Film Commission (NZFC)
Finishing money for low-budget New Zealand features made outside the commission's production funding: grading, sound, effects polish and festival costs, once a festival has said yes.
Te Tumu Whakaata Taonga, New Zealand Film Commission (NZFC)
The commission's main production money for features with significant New Zealand content, as equity up to NZD 2.5 million or a grant up to NZD 500,000, decided by the board five times a…
Te Tumu Whakaata Taonga, New Zealand Film Commission (NZFC)
The commission's short film grant, up to NZD 90,000 for narrative shorts with festival prospects, judged on talent development, critical potential and innovation.
Te Tumu Whakaata Taonga, New Zealand Film Commission (NZFC)
A dedicated production lane for dramatic features told in te reo Māori and led by Māori filmmakers, on the same money terms and calendar as the commission's general feature investment.
Irirangi Te Motu, NZ On Air
New Zealand's public media fund backs local television, on-demand and online content through three rounds a year, and sets aside about NZD 1 million of it for content development, mostly…