AFS Grant
Austin Film Society
Texas filmmakers have their own state fund: cash for features and shorts in production or post, with camera and finishing packages on top.
Stage 3 of 5
The money that gets a film or series shot. It goes to a production company, as a grant, a repayable advance or an investment, and the application is a full package: script, budget, finance plan, director and producer. Listed here because the writer is usually part of that package, and because the same fund often runs the writing scheme above it.
219 listed.
Nothing matches. Try another stage, or leave the country on "any country": international funds are listed under every country they are open to.
Austin Film Society
Texas filmmakers have their own state fund: cash for features and shorts in production or post, with camera and finishing packages on top.
Jerome Foundation
The Minnesota twin of Jerome's New York City grant: up to USD 30,000 of production money for early career directors who take creative risks, applied for in two steps each fall.
Jerome Foundation
A production grant for New York City directors near the start of their careers, in any moving-image form from animation to documentary.
Black Public Media
Public television's fund for Black nonfiction stories runs one call a year: five projects get USD 20,000 and a place at PitchBLACK, where one leaves with up to USD 150,000 of production…
Vision Maker Media
A short film with a mentor attached: Vision Maker Media pays up to USD 25,000 to an emerging Native filmmaker to shoot and finish a documentary, drama, animated or experimental short, and…
Pacific Islanders in Communications
Pacific Islander stories for public television, in two sizes: an hour or half-hour documentary with up to USD 65,000, or a short of any genre with up to USD 25,000, including…
ITVS, Independent Television Service
The largest sums in American documentary funding come from public television's co-production arm, which has backed 659 films through this call.
Latino Public Broadcasting
Documentaries and limited series about Latino life for national public television, funded from first research through the final mix.
Center for Asian American Media, with the Doris Duke Foundation
Documentaries about American Muslim experience can draw real sums here, from USD 10,000 of research money to USD 100,000 for production or post.
Creative Capital Foundation
Film sits beside visual art, dance and literature in this national open call, which gives individual artists up to USD 50,000 to make a new work and keeps advising them afterward.
Perspective Fund
A private documentary funder that reads inquiries all year and writes checks of USD 25,000 to 150,000 without taking rights or credits below USD 150,000.
International Documentary Association, with the John D. and Catherine T. MacArthur Foundation
A production fund for documentaries built on reporting, created in 2017 as an answer to misinformation.
Ford Foundation
The foundation behind much of American social-issue documentary takes direct proposals from filmmakers through a periodic open call, scored on fit with Ford's justice themes…
Panavision
No cash changes hands, but a camera package from the house that shot most of Hollywood can be the biggest line in a first film's budget.
From the Heart Productions
Small cash, large bundle: the winner takes USD 3,500 and a package of donated post, music and consulting worth several times that, for a film meant to do some good.
Indigenous Screen Office with the Canada Media Fund
The Canada Media Fund's Indigenous money is handed to the Indigenous Screen Office to run, with higher contribution rates than the general programs: up to 84 percent of a predevelopment…
Canada Council for the Arts
Since 2026 the Council's Artistic Creation grant stands in for two retired components, Concept to Realization and Research and Creation, and it is the arts council route for a screenwriter…
Telefilm Canada
Three ring-fenced streams inside Telefilm's feature programs: development, production and a Talent to Watch component for a first micro-budget feature.
Canada Media Fund
Single, authored documentaries have a selective CMF round of their own, in English and in French, each spring.
Telefilm Canada
The main production financing for Canadian fiction features, sorted into windows by language and budget level.
Indigenous Screen Office
Shorts, pilots, web series, features and broadcast series can all come to this autumn round, and an individual may apply without a company.
Indigenous Screen Office
The larger of the ISO's two production rounds, for Indigenous companies with budgets above a million dollars.
Canada Media Fund
A selective CMF round reserved for Black-owned companies and companies owned by people of colour, covering series production in both official languages.
Telefilm Canada
First features on budgets under half a million dollars get most or all of their financing here, with no repayment.
Telefilm Canada
Feature documentaries headed for cinemas have their own Telefilm program, separate from the fiction Production Program, with one intake each spring.
Alberta Media Fund, Government of Alberta
Alberta's provincial fund pays for scripts in three phases and then for smaller productions, both as grants with fixed intake windows twice a year.
Creative Saskatchewan
Saskatchewan funds first drafts, final drafts and company slates as grants that only become repayable if the film is shot elsewhere.
Alberta Foundation for the Arts
Script or screenplay writing is named on the page as a phase this grant can pay for, which makes it one of the few provincial grants a screenwriter can take to the page stage alone.
SK Arts (Saskatchewan Arts Board)
Writing a script is an eligible creation project in Saskatchewan when the filmmaker who will direct it is the applicant; the guidelines use exactly that case as an example.
Ontario Creates
Ontario replaced its Film Fund with this stream in 2026: non-repayable money for development and production of features and digital series made in the province.
SODEC, Société de développement des entreprises culturelles (Québec)
Fiction features, shorts and one-off documentaries made in Québec apply here after development, in rounds spread through the year.
Creative BC
The province's own production grant, created in 2020 and now one round a year: up to CAD 200,000 for a BC-owned feature or documentary, with priority for emerging creators and systemically…
A small Montreal foundation, named for the documentary maker Yvan Patry, that has given about 90 grants since 2001 to filmmakers from the global South making documentaries about rights and…
Independent Production Fund (IPF), funded by Cogeco Communications
Equity for scripted television series that already have a Canadian broadcaster, from the fund Cogeco finances through the IPF.
Quebecor Fund (Fonds Québecor)
A top-up to the distributor's advance for French-language Canadian features, paid through the distributor and repaid from the film's returns, with extra money for an online marketing plan.
Hot Docs with the Slaight Family Foundation
A niche documentary fund founded in 2020 for films about music and musicians, Canadian or seen through Canadian eyes, paying a handful of projects each year.
Bell Fund
Series production money from one of Canada's certified independent production funds, triggered by a broadcaster or streamer commitment.
Canada's dedicated children's media fund, backer of more than a thousand programs, has paused its funding programs while it waits for new contributions.
Rogers Group of Funds
Since 1996 this fund has topped up the financing of Canadian documentaries once a platform has licensed them, with no recoupment and a cap of CAD 100,000.
Rogers Group of Funds
Independently produced Canadian series with a private broadcaster and a streamer both on board can draw up to half a million dollars here, as a grant below CAD 350,000 and as equity above…
Independent Production Fund (IPF)
Scripted short-form series, meaning web and digital-first fiction, are the whole point here. The development advance pays for scripts, a bible, an audience plan and a proof-of-concept shoot.
Here the subject matters as much as the script: a feature, series or web series only qualifies when well-being, health or living conditions drive the story, and a Canadian health…
TELUS (TELUS Local Content)
A cable company's community fund for people in British Columbia and Alberta who have never worked in broadcasting: grants of CAD 10,000 to 20,000 for a short documentary series, a digital…
INCAA, Instituto Nacional de Cine y Artes Audiovisuales (National Institute of Cinema and Audiovisual Arts)
Argentina has moved its public support into dollar-denominated contests with a few large prizes each.
ANCINE, Agência Nacional do Cinema, with BRDE as the fund's financial agent
Brazil's main public money for film and series is an investment fund run through a development bank, and it reaches writers only through an independent production company.
Ministerio de las Culturas, las Artes y el Patrimonio, Fondo de Fomento Audiovisual (Chile's Ministry of Cultures)
The production side of Chile's audiovisual fund finances features in fiction, documentary and animation, from full financing of a modest fiction feature to a share of a majority…
Proimágenes Colombia, for the Fondo para el Desarrollo Cinematográfico and the CNACC
Funded by a levy on tickets and distribution, Colombia's FDC is the one national fund in the region with a plain screenwriting modality a writer can enter alone, beside development…
DGCINE, Dirección General de Cine (Dominican Republic's film directorate)
A small national fund with a clear yearly rhythm: one public contest each summer, DOP 17.5 million shared among about sixteen projects.
IMCINE, Instituto Mexicano de Cinematografía (Mexican Film Institute)
Mexico's public film program pays for shooting and finishing rather than writing: nine production and post-production modalities open together each January, and a producer picks one.
Ministerio de Cultura del Perú, DAFO, Dirección del Audiovisual, la Fonografía y los Nuevos Medios
Peru runs a yearly set of contests rather than a standing fund: fiction, documentary, animation, shorts, films in post-production, minority co-productions and distribution, each with its…
ACAU, Agencia del Cine y el Audiovisual del Uruguay (Uruguay's film and audiovisual agency)
Uruguay's agency groups its national money into a calendar of calls: script and project development, production of features, series and shorts, minority co-productions, plus the Programa…
The Arts Council / An Chomhairle Ealaíon (Ireland)
The largest of the Arts Council's film awards, for a feature-length film driven by its author's vision rather than a market.
The Arts Council / An Chomhairle Ealaíon (Ireland)
The Arts Council's project grant for film as an art form, open to an individual filmmaker as much as to a company, with a ceiling of ninety thousand euro.
Screen Ireland / Fís Éireann
Screen Ireland's production money across four schemes, each a loan to an Irish company for a project led by Irish talent and mostly in English or Irish.
The Arts Council / An Chomhairle Ealaíon (Ireland)
A documentary grant with an unusual brief: imaginative, experimental films about the arts, made for cinemas and judged as artworks. Individual filmmakers may apply directly.
Screen Ireland / Fís Éireann, Frameworks with RTÉ
Fully funded shorts for Irish teams: live action through Focus Shorts, animation through Frameworks with RTÉ as co-funder and broadcaster.
Doc Society for the BFI (British Film Institute), National Lottery
The UK's National Lottery money for feature documentaries, run by Doc Society.
BFI (British Film Institute), National Lottery
Production money for British features in two strands split by budget and by the director's experience.
Doc Society for BFI NETWORK (British Film Institute), National Lottery
A yearly grant for short documentaries by UK filmmakers at the start of their careers, in live action or animation.
BFI (British Film Institute) for the Department for Culture, Media and Sport
Government money, administered by the BFI, for UK companies joining international co-productions as the smaller partner.
BFI NETWORK (British Film Institute), National Lottery
Grants for fictional shorts by filmmakers starting out in England, with the producer signing the application and the writer part of the team.
Ffilm Cymru Wales, National Lottery via Arts Council of Wales and Welsh Government via Creative Wales
Production investment for Welsh-led features heading for cinemas, normally capped at half the budget.
Screen Scotland (Creative Scotland), National Lottery and Scottish Government
Scotland's main film fund, in two routes.
Northern Ireland Screen with BBC Northern Ireland
A broadcaster-backed pipeline for emerging Northern Irish drama talent: six outlines win development money, three become standalone scripted films for BBC One Northern Ireland and iPlayer…
Northern Ireland Screen
Northern Ireland's fund for television made in Irish, across every genre, with the broadcaster usually matching development money and the fund investing up to four hundred thousand pounds…
Gap finance for feature films, television drama, animation, factual and interactive projects shooting in Northern Ireland, offered once most of the budget is already committed.
Northern Ireland Screen, with Arts Council of Northern Ireland and BFI NETWORK lottery funds
Three short film schemes under one roof for Northern Ireland talent: a production call for live action, factual and VR shorts, an animation scheme run through local studios, and a…
Northern Ireland Screen
Content money for programs and short digital work in or about Ulster-Scots culture and language, run by Northern Ireland Screen with BBC Northern Ireland as its main partner.
ÖFI, Österreichisches Filminstitut (Austrian Film Institute)
The selective production round of the Austrian Film Institute, where the finished screenplay, cast and budget go in together.
BMWKMS, Bundesministerium für Wohnen, Kunst, Kultur, Medien und Sport, Filmabteilung (Austrian federal ministry for arts and culture, film department)
Production grants for the small, uncommercial film that the ÖFI would not fund: shorts, experimental and avant-garde work, documentaries and features under EUR 750,000.
Land Niederösterreich, Abteilung Kunst und Kultur (Lower Austria regional government, arts and culture department)
A state fund in two parts: grants for commercially difficult artistic films by Lower Austrians, taken year-round, and top-up grants for cinema features and documentaries that shoot in the…
Cinestyria Filmcommission and Fonds, Land Steiermark (Styria regional government, run by Steirische Tourismusmarketing)
Styria's fund pays producers to shoot stories set in the region, from Steirerkrimis television films to features such as Vier minus drei, as long as the money comes back as regional…
Land Oberösterreich, Direktion Kultur und Gesellschaft (Upper Austria regional government, culture department)
Upper Austria funds development, production or release of artistic films by people who live in the state, with a treatment and synopsis enough to apply.
Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles
The producer stages of the Walloon-Brussels film commission: development money of EUR 15,000 to EUR 60,000, then production grants that reach half a million euros for a feature from the…
Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles
A full ladder for documentary in French-speaking Belgium, from EUR 10,000 to write a film through development to production grants that top out at EUR 120,000 for a series.
Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles
Series money in French-speaking Belgium flows only once a broadcaster has signed, and then it is generous: EUR 25,000 to start the writers' room, EUR 150,000 to develop and EUR 600,000 to…
VAF, Vlaams Audiovisueel Fonds (Flanders Audiovisual Fund)
Once a Flemish script has a producer, this is where it grows: development money of which at least EUR 35,000 of the top tier must go to further writing, then production grants that reach…
VAF, Vlaams Audiovisueel Fonds (Flanders Audiovisual Fund)
The Flemish fund's television arm, where a series can start with up to EUR 25,000 of script money before any channel signs on, and climb to EUR 1.3 million for a high-end production.
screen.brussels, the Brussels-Capital Region's audiovisual fund
Brussels backs films and series that spend money in the city, up to EUR 500,000 repaid from receipts.
Wallimage, the economic film and games fund of Wallonia
An economic fund, so the question is Walloon spend rather than cultural fit, but its Wallimpact line pays producers EUR 50,000 to EUR 100,000 for scriptwriting and development, repaid only…
Fondacija za kinematografiju Sarajevo (Cinematography Foundation, Federation of Bosnia and Herzegovina)
Bosnia's federal film foundation runs one call a year that bundles everything, from a small screenplay development line a writer can claim as a natural person (BAM 3,000 to 6,000) to…
Национален филмов център, НФЦ (Bulgarian National Film Center)
Bulgaria runs two general sessions a year for feature projects, plus one for co-productions with the national broadcaster BNT.
Hrvatski audiovizualni centar, HAVC (Croatian Audiovisual Centre)
Four deadlines through 2027 for foreign features, shorts, documentaries and animation seeking a Croatian partner.
Hrvatski audiovizualni centar, HAVC (Croatian Audiovisual Centre)
Croatia's main production call, in two rounds a year with decisions in June and December.
Státní fond audiovize (Czech Audiovisual Fund)
The Czech fund's main production pot, CZK 80 million in this round, open until November 2, 2026.
Det Danske Filminstitut (Danish Film Institute)
The artistic track for Danish documentaries and short fiction, including an idea stage for documentaries that only the director needs to sign.
Det Danske Filminstitut (Danish Film Institute)
Debut long films made cheaply, with the talent's voice as the point. A producer and director apply together; a screenwriter joins that team rather than applying alone.
Det Danske Filminstitut (Danish Film Institute)
Denmark's money for drama series, documentary series and audio made for commercial broadcasters and streamers rather than DR. Development support can pay for scripts, research, casting and…
Det Danske Filminstitut (Danish Film Institute)
Denmark's main route for features judged on their artistic merit.
Det Danske Filminstitut (Danish Film Institute)
For Danish features expected to draw a larger cinema audience than the national average.
Western Denmark's regional fund for features, series, documentaries and animated shorts at development and production stage.
The film fund for Funen and its islands, paying development and production money to features, documentaries and drama series that shoot or hire on the island.
Eesti Kultuurkapital (Cultural Endowment of Estonia)
Estonia's second film funder, financed by excise taxes and run as an endowment with four deadlines a year.
Eesti Filmi Instituut (Estonian Film Institute)
One pair of rounds a year covers both stages of an Estonian documentary: up to EUR 25,000 to develop and up to EUR 200,000 to produce.
Eesti Filmi Instituut (Estonian Film Institute)
The institute's largest grant, up to EUR 900,000 for an Estonian fiction feature, with two rounds a year and the next closing December 8, 2026.
AVEK, Audiovisuaalisen kulttuurin edistämiskeskus (Promotion Centre for Audiovisual Culture), part of Kopiosto
Small, fast and personal: AVEK pays a writer EUR 3,500 to plan and write a documentary, short fiction, short animation or media art piece, with no company and no deadline.
AVEK, Audiovisuaalisen kulttuurin edistämiskeskus (Promotion Centre for Audiovisual Culture), part of Kopiosto
For production companies making documentaries, shorts, short animation and media art, with the emphasis on early content development but room to fund later stages or a whole small…
Suomen elokuvasäätiö (Finnish Film Foundation)
The Finnish Film Foundation's main production grant, up to EUR 1.2 million for features, shorts, documentaries, animation and documentary or animation series.
CNC, Centre national du cinéma et de l'image animée, with the Institut français
The French door for filmmakers from anywhere else: a grant of up to EUR 300,000 for a feature co-produced with a French company, and a smaller sum to finish a film already shot.
CNC, Centre national du cinéma et de l'image animée (French national film center)
The CNC's main selective money for shorts, read by two committees so that a first film is not weighed against seasoned directors.
CNC, Centre national du cinéma et de l'image animée (French national film center)
The oldest selective aid in French cinema, created in 1960, and still the one that gets first features financed.
CNC, Centre national du cinéma et de l'image animée, with the Agence nationale de la cohésion des territoires
A fund for stories about the France that mainstream screens miss, reformed in April 2026.
Région Nouvelle-Aquitaine, run with ALCA (the regional book, film and audiovisual agency)
One of the biggest regional funds in France, covering writing, development and production for cinema and television across six genre committees.
Région Île-de-France
The region around Paris puts more than EUR 16 million a year into features and a similar effort into series, as grants rather than advances.
Fondation Gan pour le Cinéma (corporate foundation of the insurer Gan)
A private foundation that has backed more than 260 first and second features since 1987, with a reading committee and a jury of professionals choosing four scripts a year.
Procirep and Angoa (French producers' collecting societies)
Money that French producers' own collecting societies put back into writing: around EUR 15 million a year across cinema and television.
საქართველოს ეროვნული კინოცენტრი (Georgian National Film Center)
Georgia funds features in short autumn windows of two weeks, one competition for debuts and one for established directors, each with GEL 3 million to split among four or five films.
FFA, Filmförderungsanstalt (German Federal Film Board)
Federal production grants for culturally ambitious fiction, documentary, children's and animated features, decided by a jury rather than by reference points.
Kuratorium junger deutscher Film (foundation for young German film)
Where first and second films by German writers, directors and producers go for development and production money since the FFA handed talent films to the Kuratorium in January 2026.
nordmedia, Film- und Mediengesellschaft Niedersachsen/Bremen
Lower Saxony and Bremen's fund lets a writer apply for script development money alone, up to EUR 30,000, though the sum is a loan due if the film gets made.
Medienboard Berlin-Brandenburg
A separate door for first and second features in Berlin-Brandenburg, with smaller sums and a grant option for low budgets.
FFF Bayern, FilmFernsehFonds Bayern (Bavarian film and television fund)
Bavaria's main production loan, up to three million euros, sitting behind the fund's script and development lines.
Medienboard Berlin-Brandenburg
The production loan behind many Berlin-shot features and documentaries. The script, a recoupment plan and proof of exploitation go in with the producer's application.
MFG Baden-Württemberg, Filmförderung (Baden-Württemberg film fund)
Stuttgart's production loan for cinema and television films, with a pre-production line beside it. The fund's news names its films, from an animated NEINhorn to the Emmy-nominated Lenas Hof.
HessenFilm und Medien (Hessen film and media fund)
Everything after the script in Hessen: pre-production grants, a Setzkasten that bundles treatment, development and preparation, slate funding for small companies, and a production loan…
MOIN Filmförderung Hamburg Schleswig-Holstein
Two committees split Hamburg's production money by budget, Director's Cut below EUR 2.5 million and High End above, with project development and completion lines alongside.
Film- und Medienstiftung NRW (North Rhine-Westphalia film and media foundation)
The production line of Germany's biggest regional fund, covering pre-production, the shoot, post, distribution and world sales.
MDM, Mitteldeutsche Medienförderung (central German media fund for Saxony, Saxony-Anhalt and Thuringia)
Central Germany funds a writer's screenplay, series concept or storyworld with a loan of up to EUR 25,000, rising to EUR 30,000 through a company, then project development and production…
MV Filmförderung (Mecklenburg-Vorpommern film fund)
A small northeastern fund with an unusual perk: script development is an outright grant of up to EUR 20,000, and a writer can apply with just a producer's letter.
World Cinema Fund, Berlin International Film Festival, with Creative Europe MEDIA
WCF money for European producers, including those in Eastern Europe and the Balkans with little co-production funding at home, who partner with a filmmaker from the fund's regions.
World Cinema Fund, Berlin International Film Festival
The Berlinale's fund for features from regions without a working film industry: up to EUR 60,000 that must be spent in the film's home region, with a German producer as the formal recipient.
EKKOMED, Hellenic Film and Audiovisual Center (formerly the Greek Film Centre)
Greece's core development and production money, applied for by a producer with the writer's contract in the file.
Nemzeti Filmintézet, NFI (National Film Institute Hungary)
First features on small budgets: Hungary's Incubator route turns a pitch-forum win into production money, up to HUF 135 million for a feature.
Kvikmyndamiðstöð Íslands (Icelandic Film Centre)
Iceland's production grants for features, shorts, documentaries and scripted television, issued first as a conditional commitment and then as a grant once the rest of the money is in place.
Direzione Generale Cinema e Audiovisivo, Ministero della Cultura
The ministry's selective production pot in six categories, with EUR 7.5 million each for first and second features and for young authors' films, plus documentaries, shorts and animation on…
Fondazione Apulia Film Commission (Regione Puglia)
One of Italy's larger regional production funds, five million euros a year for films, series, documentaries, animation and shorts that shoot in Puglia.
Trentino Film Commission, Trentino Sviluppo (Provincia autonoma di Trento)
A production fund for works shot in Trentino, with the committee meeting about every three months and approved projects listed on the portal back to 2011.
Regione Autonoma della Sardegna and Fondazione Sardegna Film Commission
Money for bigger films that bring a shoot to Sardinia, in three categories by budget size, with a documentary strand. The round was reopened in autumn 2026 for the remaining funds.
Regione Emilia-Romagna, through Emilia-Romagna Film Commission
Since 2016 the region has funded development and production under its own film law, and it keeps a public catalogue of every supported work, with the development projects listed by company…
Regione Friuli Venezia Giulia, through Friuli Venezia Giulia Film Commission
A production fund scored on how much of the film happens in the region, with three closing dates a year and a ranking issued within 30 days of each.
IDM Südtirol Alto Adige, Film Fund and Commission
Open to producers from any country, which is rare for a regional fund, as long as the shoot touches South Tyrol.
Regione Lazio, through Lazio Innova
Lazio's fund for international co-productions shot in the region around Rome, meant to pull foreign partners toward local companies and to show the less visited parts of the region on…
Film Commission Torino Piemonte
The oldest Italian fund for documentary, running since 2007, with a development line that covers research, writing and a promo, and a production line for shooting and post in Piedmont.
Film Commission Torino Piemonte, with Fondazione CRT
Production money for fiction, animated and experimental shorts up to 30 minutes shot in Piedmont, with at least four of six key crew roles filled locally and a stated plan for getting the…
Qendra Kinematografike e Kosovës, QKK (Kosovo Cinematography Center)
Kosovo's yearly call has 14 categories, and two pay for writing: screenplay support for a feature (fiction or animated) and, new in 2026, for a television series, beside a project…
Valsts kultūrkapitāla fonds, VKKF (State Culture Capital Foundation)
Latvia's arts foundation runs three open competitions a year, with film as one sector.
Nacionālais kino centrs (National Film Centre of Latvia)
The National Film Centre's main production competition for Latvian features, long documentaries and animated features, with about EUR 1.26 million to share in 2026 and a March deadline.
Lietuvos kino centras (Lithuanian Film Centre)
The production half of Lithuania's twice yearly state call, with categories from mini budget and debut features to documentary series, animation, interactive film and, in autumn 2026, big…
Film Fund Luxembourg (Fonds national de soutien à la production audiovisuelle)
The large end of Luxembourg's fund, where a feature or series can draw EUR 2.5 to 3 million against spending in the Grand Duchy.
Centrul Național al Cinematografiei (National Cinematography Center of Moldova)
Moldova's annual competition judges the screenplay first, then a pitch, then two scored stages, and publishes every list along the way, down to the sum each project asked for and received.
Filmski centar Crne Gore (Film Centre of Montenegro)
Montenegro's centre describes an annual call in three parts, script development, project development and production, but the 2026 call opened only production categories: features with…
Nederlands Filmfonds (Netherlands Film Fund)
The Dutch fund's selective production grant for about twenty features a year, including five children's films and one or two long animations.
Hubert Bals Fund, International Film Festival Rotterdam, with Creative Europe MEDIA
Production money that follows a European producer into a co-production with the global South. Only 25 percent of the grant needs spending in Europe; the rest can go where the film is made.
IDFA Bertha Fund, International Documentary Film Festival Amsterdam
A documentary development grant the director applies for alone, with research, writing and a teaser all allowed costs, from the fund of the world's largest documentary festival.
IDFA Bertha Fund, International Documentary Film Festival Amsterdam, with Creative Europe MEDIA
The European side of the IDFA Bertha Fund: a minority producer in Europe brings a documentary from the global South to the finish.
NPO-fonds (fund of the Dutch public broadcasters)
The money behind most Dutch public-television drama and documentary, applied for by the broadcaster rather than the maker.
Агенција за филм на Република Северна Македонија (North Macedonia Film Agency)
North Macedonia's one big call covers features, documentaries, animation and shorts, with debut features funded up to 90 percent of budget and capped at MKD 25 million.
Kulturdirektoratet (Arts Council Norway) on behalf of Fond for lyd og bilde
A rights holders' fund, financed as compensation for private copying, that pays for short films, documentaries, music videos, art film and text work tied to film projects.
Norsk filminstitutt (Norwegian Film Institute)
The main production grant for Norwegian features chosen on artistic grounds, with recent awards of NOK 7.5 million to 20 million.
The investment and grant fund for central Norway, covering drama and documentary series, features and cinema documentaries.
The regional film centre for Rogaland, around Stavanger, paying development and production grants for shorts, long formats since 2024, and series, plus writing fees inside its audiovisual…
Western and southern Norway's media fund, mixing earmarked state grants with a private investment arm that reports a 7.8 percent return.
The pan Nordic top up for features, drama series and documentaries that already have national money and a second Nordic market lined up.
Norsk filminstitutt with Stiftelsen Festivalkontoret, financed by Norway's Ministry of Foreign Affairs
Norway's fund for films from the developing world, aimed at freedom of expression and independent producers where both are under pressure.
Krakowskie Biuro Festiwalowe, KBF (Krakow Festival Office), for the City of Krakow
Krakow's city fund co-produces rather than grants: the festival office takes a stake and a share of rights in return for up to half the production cost.
Mazowiecki Instytut Kultury (Mazovian Institute of Culture), for the Mazovian Voivodeship and the City of Warsaw
Warsaw and its region put PLN 3.2 million a year into films shot or set there, entering as a co-producer rather than a grant-giver.
ICA, Instituto do Cinema e do Audiovisual
One entry for the ICA's production calls: two rounds a year for fiction features, two for documentaries, one each for fiction and animated shorts, plus animation features and completion.
Audiovizuálny fond (Slovak Audiovisual Fund)
Production financing for Slovak features, documentaries, animation and shorts, with a ceiling of EUR 1.2 million for a feature-length work. Grants can come paired with a loan.
Slovenski filmski center (Slovenian Film Centre)
The realization calls are where Slovenian features, documentaries and animation get made, usually opening around the turn of the year.
ICAA, Instituto de la Cinematografía y de las Artes Audiovisuales (Spanish Ministry of Culture)
State money for a short before the shoot, applied for by a Spanish production company with the script in hand.
ICAA, Instituto de la Cinematografía y de las Artes Audiovisuales (Spanish Ministry of Culture)
Spain's main production money, paid in advance to the producer against a project rather than a finished film, with a points system that weighs the company's track record.
ICAA, Instituto de la Cinematografía y de las Artes Audiovisuales (Spanish Ministry of Culture)
For the films the general aid overlooks: first features, documentaries, experimental and culturally driven projects, judged on the script and the team rather than box office history.
Comunidad de Madrid, Consejería de Cultura, Turismo y Deporte
Madrid's two production lines share a logic: the region backs films made by companies rooted there, and for shorts an individual with Madrid tax residence can apply alone.
Agencia Andaluza de Instituciones Culturales (Junta de Andalucía)
The largest Andalusian film budget to date, in three lines: first films by new directors that showcase regional talent, features that build the local industry, and documentaries.
AGADIC, Axencia Galega das Industrias Culturais (Xunta de Galicia)
The entry door for a new Galician filmmaker: an individual can apply alone for a short before shooting, with no company, and a producer can apply for a first feature.
AGADIC, Axencia Galega das Industrias Culturais (Xunta de Galicia)
The main production pot for Galician film and series, with categories for theatrical features, minority international co-productions and works with a broadcaster or platform commitment.
ICEC, Institut Català de les Empreses Culturals (Generalitat de Catalunya)
Production money for fiction features in three tiers, from a culturally driven first film with a budget under EUR 1.8 million to a market-oriented picture above EUR 2.7 million.
Svenska Filminstitutet (Swedish Film Institute)
Advance production money for Swedish features, paid before the film is finished and repaid once the producer's revenues pass 135 percent of private capital plus license sales and minimum…
Region Skåne's film company, where a screenwriter with a small firm can apply for feature development on their own, up to SEK 50,000 as a first step.
Sweden's largest regional co-producer, with more than 1,600 features, series, documentaries and shorts since 1992.
Film Stockholm AB
The capital region's film fund, which co-produces or makes a development investment in films, TV drama and other audiovisual work with a Stockholm footprint.
Northern Sweden's co-producer for short fiction, documentary, features and TV drama, investing for rights and a share of returns.
Bundesamt für Kultur, BAK / Office fédéral de la culture (Swiss Federal Office of Culture)
Switzerland's federal money, with a CHF 30,000 screenplay grant at the writing end and production grants that reach CHF 1.2 million.
Cinéforom, Fondation romande pour le cinéma (the fund of French-speaking Switzerland)
The production money of French-speaking Switzerland, four sessions a year with 2027 dates already fixed.
Kanton Bern, Amt für Kultur (canton of Bern)
A cantonal fund with a writer-first first step: a Bern author gets CHF 5,000 or CHF 10,000 to write a treatment, paid out as soon as it is granted, then up to CHF 30,000 for the script.
Zürcher Filmstiftung (Zurich Film Foundation)
The richest regional fund in Switzerland treats the writer as an applicant in their own right: a CHF 30,000 stipend tied to the person rather than a project, and development money an…
Ernst Goehner Stiftung
A Swiss family foundation that will pay for the development of a documentary, not just its shoot or finish, as long as the subject is Swiss and the first release is in Switzerland.
Державне агентство України з питань кіно, Держкіно (Ukrainian State Film Agency)
In peacetime this was Ukraine's main production pitching, scored by expert commissions and then pitched in public.
T.C. Kültür ve Turizm Bakanlığı, Sinema Genel Müdürlüğü (Turkish Ministry of Culture and Tourism, Directorate General of Cinema)
Turkey's debut production line lets the director apply directly, which most production schemes do not.
T.C. Kültür ve Turizm Bakanlığı, Sinema Genel Müdürlüğü (Turkish Ministry of Culture and Tourism, Directorate General of Cinema)
The ministry's main feature line funded 12 productions with TRY 115 million in its October 2026 decision.
Israel Film Fund (קרן הקולנוע הישראלי)
Israel's largest film fund puts up to ILS 3.5 million into a feature as a recoupable investment, with a lower ILS 1.5 million track for first and second films.
New Fund for Cinema and TV (הקרן החדשה לקולנוע וטלוויזיה)
The documentary fund of Israel's non-profit sector, backing feature-length documentaries at development, production or post-production, with several reading rounds a year.
A ministry-supported fund that invests across fiction, documentary, shorts and drama series, with a development track for scripts, a production track and a completion track.
Yehoshua Rabinovich Foundation for the Arts
A foundation-run fund supported by the culture ministry, with separate submissions for script and project development, production and completion of features, plus documentary and student…
The Royal Film Commission, Jordan
Jordan's national fund, run on Royal Film Commission money since 2011, pays for developing, shooting, finishing and releasing Jordanian features and documentaries, Arab features as…
AFAC, the Arab Fund for Arts and Culture
The main independent fund for Arab fiction features, and one a director can apply to alone with a development ask of up to USD 10,000; up to 30 percent of any grant may pay the director's…
AFAC, the Arab Fund for Arts and Culture
AFAC's documentary strand runs on the spring call, two months ahead of the fiction one, with the same ceilings: USD 10,000 to develop a feature documentary, up to 50,000 to shoot it.
Culture Resource (Al Mawred Al Thaqafy)
A first-film grant for young Arab directors, paid for the production or finishing of a short, medium or feature film, fiction or documentary.
CCM, Centre Cinématographique Marocain (Moroccan Cinema Center)
Morocco finances its cinema through an advance on receipts paid to production companies before or after the shoot, three sessions a year, plus a contribution to writing and rewriting…
A rare worldwide grant for a first or second feature at the development stage, with real money behind it: up to USD 20,000 to write and package a narrative feature, more later for…
Red Sea Film Foundation
A young fund with deep pockets covering the Arab world, Africa and Asia, with a development window each May for features and series.
FOPICA, Fonds de Promotion de l'Industrie Cinématographique et Audiovisuelle (Senegal)
The headline line of Senegal's fund: up to XOF 150 million toward a fiction or animated feature, paid out in four installments over a 24-month convention.
NFVF, National Film and Video Foundation (South Africa)
The production arm of South Africa's film foundation funds features, shorts, documentaries, TV movies and web series through registered companies, with a finished script and a finance plan…
Hong Kong Film Development Council, Film Development Fund (Create Hong Kong)
Hong Kong co-finances commercial features as a government investor: Scheme 2.0 puts in 40 percent of a budget up to HKD 10 million for films costing HKD 8 to 25 million, the older scheme…
Japan Arts Council (独立行政法人日本芸術文化振興会), with the Agency for Cultural Affairs' arts promotion subsidy
Japan's state production subsidy for feature-length films, paid at fixed amounts that rise with the budget to JPY 60 million, with a smaller tier for young and emerging filmmakers.
FINAS, Perbadanan Kemajuan Filem Nasional Malaysia (National Film Development Corporation Malaysia)
Malaysia's national film body channels its grants through the Creative Content Fund, which in its current form pays licensed companies for micro drama and Borneo TV production…
FDCP, Film Development Council of the Philippines
The Philippines' film council funds project development and production through CreatePHFilms, and its development fund names Filipino writers among those who may apply, with a concept…
IMDA, Infocomm Media Development Authority, and the Singapore Film Commission
Singapore folded its old development and production assistance into content grants that pay for production of features and shorts with Singapore talent attached: up to SGD 300,000 for a…
Screen Australia
Three lanes for documentary production: Producer First for films still closing finance, Platform First for commissioned programs, and Direct-to-Audience for work released on YouTube…
Screen Australia, First Nations Department
Production and post-production investment for low-budget features written and directed by First Nations filmmakers.
Screen Australia
Production finance for features, television and direct-to-audience drama, in two feature lanes: Market First for packages with distribution attached and Creative First for bolder films…
Screen Canberra, for the ACT Government
Grants for Canberra creators who publish their own short-form narrative, comedy, factual or animation online, with two local key creatives and no commission attached.
Screenwest
Production money for Western Australian documentary singles, series, features and large-format films that already have a market partner, matched against that partner's cash.
Screen Queensland
A rare production grant a solo writer-creator can hold alone: episodic series for YouTube, TikTok or Instagram, or one-off XR, with no IP taken and marketing costs allowed.
Screen NSW
The state's production money is a grant, not equity: Screen NSW cash-flows it and the producer keeps ownership.
Screen Queensland
Production finance for features, series and documentaries that spend in Queensland, scaled to that spend.
South Australian Film Corporation (SAFC)
South Australia's main production money, sized at up to a tenth of what a project spends in the state and open all year.
Screen NSW
A short-film production fund for New South Wales teams led or co-led by a filmmaker with a disability.
Screenwest
Grant finance of up to AUD 700,000 for features and series shot in Western Australia with a buyer already attached.
Screen Queensland
Grants of up to AUD 50,000 for 5 to 15 minute shorts aimed at cinema screens, with a polished screenplay required at application and no treatments accepted.
Screen Canberra, for the ACT Government
Canberra's production grant for scripted and unscripted work with a confirmed path to audience, from a commercial half hour upward, paying up to AUD 300,000 without recoupment.
VicScreen
Production investment tied to how much a film or series spends in Victoria: between 3 and 10 percent of that spend, cash-flowed into the production while the producer keeps the equity.
Te Māngai Pāho (Māori Broadcasting Funding Agency)
The Māori broadcasting agency funds te reo Māori content by language level rather than platform, through themed rounds: Ngahau for entertainment, Whāngai for learners, Mōhiohio for factual…
Te Tumu Whakaata Taonga, New Zealand Film Commission (NZFC)
The commission's main production money for features with significant New Zealand content, as equity up to NZD 2.5 million or a grant up to NZD 500,000, decided by the board five times a…
Te Tumu Whakaata Taonga, New Zealand Film Commission (NZFC)
The commission's short film grant, up to NZD 90,000 for narrative shorts with festival prospects, judged on talent development, critical potential and innovation.
Te Tumu Whakaata Taonga, New Zealand Film Commission (NZFC)
A dedicated production lane for dramatic features told in te reo Māori and led by Māori filmmakers, on the same money terms and calendar as the commission's general feature investment.
Irirangi Te Motu, NZ On Air
New Zealand's public media fund backs local television, on-demand and online content through three rounds a year, and sets aside about NZD 1 million of it for content development, mostly…
Creative Europe MEDIA, European Commission
Series and television films draw their EU production money here, paid to the producer once broadcasters in more than one country are on board.
Eurimages, the Council of Europe's cultural support fund
Forty member states, Canada, Turkey, Ukraine and Switzerland among them, pay into this Council of Europe fund for co-produced features.