AFS Grant
Austin Film Society
Texas filmmakers have their own state fund: cash for features and shorts in production or post, with camera and finishing packages on top.
Funds that want a producer on the application beside the writer, or that pay a producer who is developing a writer's project. Most development money sits here.
116 listed.
Nothing matches. Try another stage, or leave the country on "any country": international funds are listed under every country they are open to.
Austin Film Society
Texas filmmakers have their own state fund: cash for features and shorts in production or post, with camera and finishing packages on top.
Jerome Foundation
The Minnesota twin of Jerome's New York City grant: up to USD 30,000 of production money for early career directors who take creative risks, applied for in two steps each fall.
Jerome Foundation
A production grant for New York City directors near the start of their careers, in any moving-image form from animation to documentary.
Black Public Media
Public television's fund for Black nonfiction stories runs one call a year: five projects get USD 20,000 and a place at PitchBLACK, where one leaves with up to USD 150,000 of production…
Vision Maker Media
A short film with a mentor attached: Vision Maker Media pays up to USD 25,000 to an emerging Native filmmaker to shoot and finish a documentary, drama, animated or experimental short, and…
ITVS, Independent Television Service
ITVS's development door, replacing its earlier diversity development fund: a small first payment to shape a nonfiction feature or web series for PBS streaming, with a few months of…
Pacific Islanders in Communications
Pacific Islander stories for public television, in two sizes: an hour or half-hour documentary with up to USD 65,000, or a short of any genre with up to USD 25,000, including…
ITVS, Independent Television Service
The largest sums in American documentary funding come from public television's co-production arm, which has backed 659 films through this call.
Latino Public Broadcasting
Documentaries and limited series about Latino life for national public television, funded from first research through the final mix.
Film Independent, with the Alfred P. Sloan Foundation
Science on screen pays here: three cash grants a year for fiction projects about scientists or technology, awarded inside Film Independent's Episodic Lab, Producing Lab and Fast Track…
Center for Asian American Media, with the Doris Duke Foundation
Documentaries about American Muslim experience can draw real sums here, from USD 10,000 of research money to USD 100,000 for production or post.
Catapult Film Fund
Seed money for documentaries at the point where nobody else will pay: a grant to shoot and cut the sample that raises the rest.
Perspective Fund
A private documentary funder that reads inquiries all year and writes checks of USD 25,000 to 150,000 without taking rights or credits below USD 150,000.
International Documentary Association, with the John D. and Catherine T. MacArthur Foundation
A production fund for documentaries built on reporting, created in 2017 as an answer to misinformation.
Ford Foundation
The foundation behind much of American social-issue documentary takes direct proposals from filmmakers through a periodic open call, scored on fit with Ford's justice themes…
Panavision
No cash changes hands, but a camera package from the house that shot most of Hollywood can be the biggest line in a first film's budget.
Chicken & Egg Films
Paid thinking time for women and gender-expansive documentary directors between films: a USD 10,000 research grant or a USD 20,000 development grant, with the stage chosen by the applicant.
From the Heart Productions
Small cash, large bundle: the winner takes USD 3,500 and a package of donated post, music and consulting worth several times that, for a film meant to do some good.
Post-production money for feature documentaries that are shot but not cut, from the San Francisco festival's foundation arm.
SFFILM, with the Kenneth Rainin Foundation
One of the few American grants that pays a screenwriter directly to write, and it can also fund packaging or the edit of the same film later.
Film Independent, with the Alfred P. Sloan Foundation
A single USD 50,000 check for a finished science-themed fiction feature heading into release, meant to buy a smarter rollout.
Indigenous Screen Office
Shorts, pilots, web series, features and broadcast series can all come to this autumn round, and an individual may apply without a company.
Telefilm Canada
First features on budgets under half a million dollars get most or all of their financing here, with no repayment.
Alberta Media Fund, Government of Alberta
Alberta's provincial fund pays for scripts in three phases and then for smaller productions, both as grants with fixed intake windows twice a year.
Screen Nova Scotia
Small early-development grants for emerging Black, Indigenous, racialized, 2SLGBTQIA+, disabled or official-language-minority writers and producers in Nova Scotia, paying for pitch decks…
Creative BC
The province's own production grant, created in 2020 and now one round a year: up to CAD 200,000 for a BC-owned feature or documentary, with priority for emerging creators and systemically…
Hot Docs with the Slaight Family Foundation
A niche documentary fund founded in 2020 for films about music and musicians, Canadian or seen through Canadian eyes, paying a handful of projects each year.
Rogers Group of Funds
Since 1996 this fund has topped up the financing of Canadian documentaries once a platform has licensed them, with no recoupment and a cap of CAD 100,000.
INCAA, Instituto Nacional de Cine y Artes Audiovisuales (National Institute of Cinema and Audiovisual Arts)
Argentina has moved its public support into dollar-denominated contests with a few large prizes each.
Ministerio de las Culturas, las Artes y el Patrimonio, Fondo de Fomento Audiovisual (Chile's Ministry of Cultures)
Chile's culture ministry runs a screenplay line inside its audiovisual fund, paying up to CLP 5 million to write a first draft of a feature or pilot and up to CLP 8 million to take a…
Ministerio de las Culturas, las Artes y el Patrimonio, Fondo de Fomento Audiovisual (Chile's Ministry of Cultures)
The production side of Chile's audiovisual fund finances features in fiction, documentary and animation, from full financing of a modest fiction feature to a share of a majority…
Proimágenes Colombia, for the Fondo para el Desarrollo Cinematográfico and the CNACC
Funded by a levy on tickets and distribution, Colombia's FDC is the one national fund in the region with a plain screenwriting modality a writer can enter alone, beside development…
DGCINE, Dirección General de Cine (Dominican Republic's film directorate)
A small national fund with a clear yearly rhythm: one public contest each summer, DOP 17.5 million shared among about sixteen projects.
IMCINE, Instituto Mexicano de Cinematografía (Mexican Film Institute)
Mexico's public film program pays for shooting and finishing rather than writing: nine production and post-production modalities open together each January, and a producer picks one.
Ministerio de Cultura del Perú, DAFO, Dirección del Audiovisual, la Fonografía y los Nuevos Medios
Peru runs a yearly set of contests rather than a standing fund: fiction, documentary, animation, shorts, films in post-production, minority co-productions and distribution, each with its…
ACAU, Agencia del Cine y el Audiovisual del Uruguay (Uruguay's film and audiovisual agency)
Uruguay's agency groups its national money into a calendar of calls: script and project development, production of features, series and shorts, minority co-productions, plus the Programa…
Screen Ireland / Fís Éireann, Frameworks with RTÉ
Fully funded shorts for Irish teams: live action through Focus Shorts, animation through Frameworks with RTÉ as co-funder and broadcaster.
Doc Society for the BFI (British Film Institute), National Lottery
The UK's National Lottery money for feature documentaries, run by Doc Society.
Doc Society for BFI NETWORK (British Film Institute), National Lottery
A yearly grant for short documentaries by UK filmmakers at the start of their careers, in live action or animation.
BFI NETWORK (British Film Institute), National Lottery
Grants for fictional shorts by filmmakers starting out in England, with the producer signing the application and the writer part of the team.
BFI NETWORK (British Film Institute), National Lottery
One of very few British public grants a writer can hold alone, paid to write a treatment for a debut feature before any script exists.
Ffilm Cymru Wales, National Lottery via Arts Council of Wales and BFI NETWORK
Development money for a single feature, documentary or animated film with a Welsh writer, director or producer at its head, and a lone writer may apply.
Northern Ireland Screen
Recoupable development money for feature film and television drama scripts, and for single projects or slates across film, TV and interactive work.
Northern Ireland Screen, with Arts Council of Northern Ireland and BFI NETWORK lottery funds
Three short film schemes under one roof for Northern Ireland talent: a production call for live action, factual and VR shorts, an animation scheme run through local studios, and a…
VAF, Vlaams Audiovisueel Fonds (Flanders Audiovisual Fund)
The Flemish fund's entry point for a writer alone: EUR 15,000 to write a feature or documentary script, filed in Dutch, with the same money later deducted from any production grant.
VAF, Vlaams Audiovisueel Fonds (Flanders Audiovisual Fund)
The Flemish fund's television arm, where a series can start with up to EUR 25,000 of script money before any channel signs on, and climb to EUR 1.3 million for a high-end production.
Национален филмов център, НФЦ (Bulgarian National Film Center)
Bulgaria runs two general sessions a year for feature projects, plus one for co-productions with the national broadcaster BNT.
Hrvatski audiovizualni centar, HAVC (Croatian Audiovisual Centre)
Croatia lets a writer apply alone for script money, and up to two co-writers may share one grant equally. Features need 70 minutes, documentaries 60, animation 24.
Hrvatski audiovizualni centar, HAVC (Croatian Audiovisual Centre)
A ring-fenced pot for family films.
Hrvatski audiovizualni centar, HAVC (Croatian Audiovisual Centre)
The television twin of HAVC's film development call, for series writers.
Det Danske Filminstitut (Danish Film Institute)
The artistic track for Danish documentaries and short fiction, including an idea stage for documentaries that only the director needs to sign.
Det Danske Filminstitut (Danish Film Institute)
Debut long films made cheaply, with the talent's voice as the point. A producer and director apply together; a screenwriter joins that team rather than applying alone.
Det Danske Filminstitut (Danish Film Institute)
Denmark's main route for features judged on their artistic merit.
Film- und Medienstiftung NRW (North Rhine-Westphalia film and media foundation)
A ladder of grants from a five-thousand-euro exposé to a twenty-thousand-euro screenplay, with the first rung open to NRW writers on their own and no producer required.
nordmedia, Film- und Mediengesellschaft Niedersachsen/Bremen
Lower Saxony and Bremen's fund lets a writer apply for script development money alone, up to EUR 30,000, though the sum is a loan due if the film gets made.
MOIN Filmförderung Hamburg Schleswig-Holstein
NEST replaced the treatment and screenplay schemes in Hamburg and Schleswig-Holstein in favor of a residency plus tools model: EUR 7,500 for the idea, a week with Le Groupe Ouest, then a…
MV Filmförderung (Mecklenburg-Vorpommern film fund)
A small northeastern fund with an unusual perk: script development is an outright grant of up to EUR 20,000, and a writer can apply with just a producer's letter.
HessenFilm und Medien (Hessen film and media fund)
Hessen hands writers a grant for a treatment on a rolling basis and up to EUR 30,000 for a screenplay three times a year, with the writer applying alone if they live in the state.
EKKOMED, Hellenic Film and Audiovisual Center (formerly the Greek Film Centre)
Greece's core development and production money, applied for by a producer with the writer's contract in the file.
EKKOMED, Hellenic Film and Audiovisual Center (formerly the Greek Film Centre)
Greece pays a writer directly to get from idea to first draft: EUR 4,000 to 7,000 against a logline, a 2,000 to 5,000 word treatment and a statement of intent, with the money returned if…
EKKOMED, Hellenic Film and Audiovisual Center (formerly the Greek Film Centre)
The same writing grant as the main program, reserved for projects whose director has never made a feature, with twelve months to deliver a first draft or a 2,500 word documentary treatment.
Nemzeti Filmintézet, NFI (National Film Institute Hungary)
Hungary's national money for scripts is on hold.
Nemzeti Filmintézet, NFI (National Film Institute Hungary)
First features on small budgets: Hungary's Incubator route turns a pitch-forum win into production money, up to HUF 135 million for a feature.
Kvikmyndamiðstöð Íslands (Icelandic Film Centre)
Iceland pays for scripts in two stages, a first draft and then its development, each worth up to ISK 1.5 million for features, with a combined ISK 3 million for writers who have done it…
The development half of the Friuli Venezia Giulia system: three calls a year for development, distribution and training, run by a fund that also hosts the When East Meets West forum.
Hubert Bals Fund, International Film Festival Rotterdam
One of the few international grants a writer-director can take alone and spend on writing: research, drafts, translation, a script consultant or a trip to pitch.
IDFA Bertha Fund, International Documentary Film Festival Amsterdam
A documentary development grant the director applies for alone, with research, writing and a teaser all allowed costs, from the fund of the world's largest documentary festival.
Basque Government, Department of Culture and Language Policy
Development money for features and series that puts the script first: at least 45 percent of the grant must go to writing the screenplay, 35 percent for animation and documentary.
Svenska Filminstitutet with SVT (Swedish Film Institute)
A talent scheme run by the Swedish Film Institute and SVT for low budget fiction features (around SEK 12 million) and fiction led hybrids, for directors with a few films behind them but at…
Svenska Filminstitutet (Swedish Film Institute)
Development money for Swedish documentaries, short and long, judged by a consultant and paid 80 percent on decision.
Svenska Filminstitutet (Swedish Film Institute)
The Swedish Film Institute's development money for features, covering synopsis, treatment, drafts, a dramaturg and research.
Cinéforom, Fondation romande pour le cinéma (the fund of French-speaking Switzerland)
A top-up rather than a competition: when a Romand producer puts its own success credits into paying a writer, Cinéforom adds 60 to 80 percent on top, up to CHF 25,000, with no deadline and…
Ernst Goehner Stiftung
A Swiss family foundation that will pay for the development of a documentary, not just its shoot or finish, as long as the subject is Swiss and the first release is in Switzerland.
T.C. Kültür ve Turizm Bakanlığı, Sinema Genel Müdürlüğü (Turkish Ministry of Culture and Tourism, Directorate General of Cinema)
Turkey's debut production line lets the director apply directly, which most production schemes do not.
Israel Film Fund (קרן הקולנוע הישראלי)
Israel's largest film fund puts up to ILS 3.5 million into a feature as a recoupable investment, with a lower ILS 1.5 million track for first and second films.
Israel Film Fund (קרן הקולנוע הישראלי)
The country's main feature fund invests in writing from an extended synopsis to a full draft, and a screenwriter can apply without a producer in the general round.
New Fund for Cinema and TV (הקרן החדשה לקולנוע וטלוויזיה)
The documentary fund of Israel's non-profit sector, backing feature-length documentaries at development, production or post-production, with several reading rounds a year.
A ministry-supported fund that invests across fiction, documentary, shorts and drama series, with a development track for scripts, a production track and a completion track.
Yehoshua Rabinovich Foundation for the Arts
A foundation-run fund supported by the culture ministry, with separate submissions for script and project development, production and completion of features, plus documentary and student…
The Royal Film Commission, Jordan
Jordan's national fund, run on Royal Film Commission money since 2011, pays for developing, shooting, finishing and releasing Jordanian features and documentaries, Arab features as…
AFAC, the Arab Fund for Arts and Culture
The main independent fund for Arab fiction features, and one a director can apply to alone with a development ask of up to USD 10,000; up to 30 percent of any grant may pay the director's…
AFAC, the Arab Fund for Arts and Culture
AFAC's documentary strand runs on the spring call, two months ahead of the fiction one, with the same ceilings: USD 10,000 to develop a feature documentary, up to 50,000 to shoot it.
A rare worldwide grant for a first or second feature at the development stage, with real money behind it: up to USD 20,000 to write and package a narrative feature, more later for…
Red Sea Film Foundation
A young fund with deep pockets covering the Arab world, Africa and Asia, with a development window each May for features and series.
FOPICA, Fonds de Promotion de l'Industrie Cinématographique et Audiovisuelle (Senegal)
The headline line of Senegal's fund: up to XOF 150 million toward a fiction or animated feature, paid out in four installments over a 24-month convention.
FOPICA, Fonds de Promotion de l'Industrie Cinématographique et Audiovisuelle (Senegal)
Senegal's state fund has a development line that an author can apply for directly, paying up to XOF 5 million for rewriting, scouting, casting and the hunt for co-producers before a film…
NFVF, National Film and Video Foundation (South Africa)
South Africa's national foundation pays for the writing stage itself: research, script editing and drafts for features, shorts, documentaries and TV formats, with a producer fee allowed in…
FDCP, Film Development Council of the Philippines
The Philippines' film council funds project development and production through CreatePHFilms, and its development fund names Filipino writers among those who may apply, with a concept…
IMDA, Infocomm Media Development Authority, and the Singapore Film Commission
Singapore folded its old development and production assistance into content grants that pay for production of features and shorts with Singapore talent attached: up to SGD 300,000 for a…
Screen Australia
Development money for documentaries headed for cinemas, television or direct-to-audience platforms such as YouTube and VR.
Screen Australia, First Nations Department
Treatments, draft scripts, research and sizzle shooting for documentaries by First Nations key creatives, including emerging producers.
Screen Australia, First Nations Department
Draft money for feature screenplays by Aboriginal and Torres Strait Islander writers with a track record.
Screen Australia, First Nations Department
Series bibles, treatments and scripts for telemovies and television drama led by First Nations writers. The series cap of AUD 65,000 is the highest of the department's development strands.
Screen Australia
The national agency's one development door for drama and comedy on any platform: cinema features, television and streaming series, and work released straight to online audiences.
South Australian Film Corporation (SAFC) with the ABC
Early concept money aimed at one buyer: drama, comedy, children's, factual and documentary ideas for the ABC, developed in South Australia from an outline or treatment.
Screen Queensland
Since July 2024 Queensland's development money has been a straight grant with no copyright interest taken, unusual among the Australian state agencies.
VicScreen
Victoria's open-door development scheme for fiction, documentary and VR, with no closing date.
Screen NSW
New South Wales pays only the NSW spend, so a Sydney-based writer's fee is exactly what it covers.
Screen Canberra, for the ACT Government
Grants for Canberra creators who publish their own short-form narrative, comedy, factual or animation online, with two local key creatives and no commission attached.
South Australian Film Corporation (SAFC)
A development grant that opens after the first draft and asks for a South Australian writer or director from an underrepresented group, with D/deaf and disabled creatives first in line.
Screenwest
Pitch decks, treatments, sizzle reels and the attaching of producers for Western Australian documentary features, singles, series and large-format work.
Screenwest
Year-round development money for First Nations writers and producers in Western Australia, covering writers' rooms, new drafts, story developers and casting agents for scripted work, or…
Screenwest
Once a broadcaster or distributor puts development money into a Western Australian project, Screenwest can match it within eight weeks of the deal. The investment is repaid on production.
South Australian Film Corporation (SAFC)
Automatic rather than judged: if a project led from South Australia has development money confirmed from Screen Australia or the market, the SAFC matches it, subject to funds.
Screen Queensland
A rare production grant a solo writer-creator can hold alone: episodic series for YouTube, TikTok or Instagram, or one-off XR, with no IP taken and marketing costs allowed.
Screen NSW
A short-film production fund for New South Wales teams led or co-led by a filmmaker with a disability.
Screenwest
Small early money, AUD 10,000 at most, to take a long-form idea to market-ready pitch materials in Western Australia.
Screenwest
Development money for Western Australian features and television series that already have real material: outlines, a pilot, a bible or a draft screenplay. Four rounds a year.
Screen Queensland
Grants of up to AUD 50,000 for 5 to 15 minute shorts aimed at cinema screens, with a polished screenplay required at application and no treatments accepted.
Screen Canberra, for the ACT Government
Canberra's production grant for scripted and unscripted work with a confirmed path to audience, from a commercial half hour upward, paying up to AUD 300,000 without recoupment.
NZ On Air with Sky and Dynamic Television
A new co-development fund, announced October 29, 2026, for up to three one-hour New Zealand drama series with international legs.
Te Māngai Pāho (Māori Broadcasting Funding Agency)
The Māori broadcasting agency funds te reo Māori content by language level rather than platform, through themed rounds: Ngahau for entertainment, Whāngai for learners, Mōhiohio for factual…
Te Tumu Whakaata Taonga, New Zealand Film Commission (NZFC)
The commission's single development door, folded from the old Early and Advanced schemes, and one a writer can walk through alone.
Te Tumu Whakaata Taonga, New Zealand Film Commission (NZFC)
Finishing money for low-budget New Zealand features made outside the commission's production funding: grading, sound, effects polish and festival costs, once a festival has said yes.
Te Tumu Whakaata Taonga, New Zealand Film Commission (NZFC)
The commission's short film grant, up to NZD 90,000 for narrative shorts with festival prospects, judged on talent development, critical potential and innovation.