Grants for Artist Projects (GAP)
Artist Trust
Small, fast and plentiful: 65 Washington artists a year receive USD 2,500 toward a specific project, from research travel to a first draft.
Stage 2 of 5
Money for a project before it is financed: script drafts, a director and cast search, a budget, a pitch package. Most development funds pay a production company or a producer and writer together, and many ask for a producer to be attached before you apply. The sums are larger than writing grants and are often repayable if the film gets made.
198 listed.
Nothing matches. Try another stage, or leave the country on "any country": international funds are listed under every country they are open to.
Artist Trust
Small, fast and plentiful: 65 Washington artists a year receive USD 2,500 toward a specific project, from research travel to a first draft.
ITVS, Independent Television Service
ITVS's development door, replacing its earlier diversity development fund: a small first payment to shape a nonfiction feature or web series for PBS streaming, with a few months of…
Latino Public Broadcasting
Documentaries and limited series about Latino life for national public television, funded from first research through the final mix.
Film Independent, with the Alfred P. Sloan Foundation
Science on screen pays here: three cash grants a year for fiction projects about scientists or technology, awarded inside Film Independent's Episodic Lab, Producing Lab and Fast Track…
Center for Asian American Media, with the Doris Duke Foundation
Documentaries about American Muslim experience can draw real sums here, from USD 10,000 of research money to USD 100,000 for production or post.
Catapult Film Fund
Seed money for documentaries at the point where nobody else will pay: a grant to shoot and cut the sample that raises the rest.
Creative Capital Foundation
Film sits beside visual art, dance and literature in this national open call, which gives individual artists up to USD 50,000 to make a new work and keeps advising them afterward.
Ford Foundation
The foundation behind much of American social-issue documentary takes direct proposals from filmmakers through a periodic open call, scored on fit with Ford's justice themes…
Chicken & Egg Films
Paid thinking time for women and gender-expansive documentary directors between films: a USD 10,000 research grant or a USD 20,000 development grant, with the stage chosen by the applicant.
From the Heart Productions
Small cash, large bundle: the winner takes USD 3,500 and a package of donated post, music and consulting worth several times that, for a film meant to do some good.
SFFILM, with the Kenneth Rainin Foundation
One of the few American grants that pays a screenwriter directly to write, and it can also fund packaging or the edit of the same film later.
Indigenous Screen Office with the Canada Media Fund
The Canada Media Fund's Indigenous money is handed to the Indigenous Screen Office to run, with higher contribution rates than the general programs: up to 84 percent of a predevelopment…
Canada Media Fund
Television and digital series development in Canada mostly runs through this fund, but a broadcaster has to commit first: the money follows a development deal rather than a pitch.
Telefilm Canada
Canada's federal feature film agency pays for script drafts and packaging through a production company, from a first draft to the attachment of a director and distributor.
Indigenous Screen Office
An Indigenous writer can apply here alone, without a producer or broadcaster, for research, script drafts, story editing, knowledge keepers and pitch materials.
Canada Council for the Arts
Since 2026 the Council's Artistic Creation grant stands in for two retired components, Concept to Realization and Research and Creation, and it is the arts council route for a screenwriter…
Telefilm Canada
Three ring-fenced streams inside Telefilm's feature programs: development, production and a Talent to Watch component for a first micro-budget feature.
Canada Media Fund
The one CMF development route that does not wait for a broadcaster: a company receives a slate allocation and chooses which of its own English or French projects to develop with it.
Alberta Media Fund, Government of Alberta
Alberta's provincial fund pays for scripts in three phases and then for smaller productions, both as grants with fixed intake windows twice a year.
Screen Nova Scotia
Small early-development grants for emerging Black, Indigenous, racialized, 2SLGBTQIA+, disabled or official-language-minority writers and producers in Nova Scotia, paying for pitch decks…
Manitoba Arts Council
A general creation grant open to every discipline, so a Manitoba screenwriter applies as a writer or media artist for time to write or to develop a work in progress.
Conseil des arts et des lettres du Quebec (CALQ)
Quebec's standing creation grant takes applications any day of the year, which is rare among public arts funders.
Manitoba Film and Music
Manitoba lends development money rather than granting it, in phases up to a CAD 35,000 cap, once a distributor or fund has put in the first fifth of the budget.
Creative Saskatchewan
Saskatchewan funds first drafts, final drafts and company slates as grants that only become repayable if the film is shot elsewhere.
Alberta Foundation for the Arts
Script or screenplay writing is named on the page as a phase this grant can pay for, which makes it one of the few provincial grants a screenwriter can take to the page stage alone.
Ontario Creates
Early-stage development grants for Ontario companies that do not yet qualify for the IP Fund, typically a producer without the credits to attach a qualifying executive producer.
Arts Nova Scotia
Nova Scotia pays its artists to make new work across every discipline, media and literary arts included, and accepts script samples as support material.
SK Arts (Saskatchewan Arts Board)
Writing a script is an eligible creation project in Saskatchewan when the filmmaker who will direct it is the applicant; the guidelines use exactly that case as an example.
Ontario Creates
Ontario replaced its Film Fund with this stream in 2026: non-repayable money for development and production of features and digital series made in the province.
SODEC, Société de développement des entreprises culturelles (Québec)
Québec's cultural agency pays production companies to write fiction features and medium or feature documentaries, in a selective round twice a year, with a separate strand for animated…
Creative BC
Matching money for British Columbia producers who have already landed a development deal: Creative BC adds up to half of what the broadcaster, distributor or agency committed, as an…
Independent Production Fund (IPF)
Scripted short-form series, meaning web and digital-first fiction, are the whole point here. The development advance pays for scripts, a bible, an audience plan and a proof-of-concept shoot.
Bell Fund
A slate rather than a single project: a Canadian producer develops several original series at once and moves the money between them as the market responds.
Quebecor Fund (Fonds Québecor)
Development money for Québec television concepts and formats meant to sell abroad, where a French-language broadcaster has already put in development money.
Here the subject matters as much as the script: a feature, series or web series only qualifies when well-being, health or living conditions drive the story, and a Canadian health…
INCAA, Instituto Nacional de Cine y Artes Audiovisuales (National Institute of Cinema and Audiovisual Arts)
Argentina has moved its public support into dollar-denominated contests with a few large prizes each.
ANCINE, Agência Nacional do Cinema, with BRDE as the fund's financial agent
Brazil's main public money for film and series is an investment fund run through a development bank, and it reaches writers only through an independent production company.
Ministerio de las Culturas, las Artes y el Patrimonio, Fondo de Fomento Audiovisual (Chile's Ministry of Cultures)
Chile's culture ministry runs a screenplay line inside its audiovisual fund, paying up to CLP 5 million to write a first draft of a feature or pilot and up to CLP 8 million to take a…
Proimágenes Colombia, for the Fondo para el Desarrollo Cinematográfico and the CNACC
Funded by a levy on tickets and distribution, Colombia's FDC is the one national fund in the region with a plain screenwriting modality a writer can enter alone, beside development…
DGCINE, Dirección General de Cine (Dominican Republic's film directorate)
A small national fund with a clear yearly rhythm: one public contest each summer, DOP 17.5 million shared among about sixteen projects.
Ministerio de Cultura del Perú, DAFO, Dirección del Audiovisual, la Fonografía y los Nuevos Medios
Peru runs a yearly set of contests rather than a standing fund: fiction, documentary, animation, shorts, films in post-production, minority co-productions and distribution, each with its…
ACAU, Agencia del Cine y el Audiovisual del Uruguay (Uruguay's film and audiovisual agency)
Uruguay's agency groups its national money into a calendar of calls: script and project development, production of features, series and shorts, minority co-productions, plus the Programa…
Screen Ireland / Fís Éireann
Development loans for animated television series from Irish studios, applied for with a series bible, sample visuals and, if available, a full episode script.
Screen Ireland / Fís Éireann
Slate money for established Irish companies to develop several narrative projects at once over two years, with writers' fees, rights and script editors among the eligible costs.
The Arts Council / An Chomhairle Ealaíon (Ireland)
The Arts Council's project grant for film as an art form, open to an individual filmmaker as much as to a company, with a ceiling of ninety thousand euro.
Screen Ireland / Fís Éireann
Seed money for a documentary feature or series from an Irish company, with rights paperwork needed before any funds are drawn.
Screen Ireland / Fís Éireann
The producer's route to developing an Irish feature, from a treatment or script sample through further drafts, with the same deadlines as the writer-only scheme.
Screen Ireland / Fís Éireann
Development loans for Irish television drama, applied for by a producer with a writer already agreed.
BFI (British Film Institute), National Lottery
The main public route for developing a British fiction feature, from treatment through to a screenplay ready to finance.
Doc Society for the BFI (British Film Institute), National Lottery
The UK's National Lottery money for feature documentaries, run by Doc Society.
Ffilm Cymru Wales, National Lottery via Arts Council of Wales and BFI NETWORK
Development money for a single feature, documentary or animated film with a Welsh writer, director or producer at its head, and a lone writer may apply.
Screen Scotland (Creative Scotland), National Lottery and Scottish Government
Scotland's main film fund, in two routes.
Screen Scotland and BFI NETWORK, delivered by Film City Futures with Glasgow Film
Development money for a first feature script in Scotland, paid to the writer rather than a company.
Northern Ireland Screen with BBC Northern Ireland
A broadcaster-backed pipeline for emerging Northern Irish drama talent: six outlines win development money, three become standalone scripted films for BBC One Northern Ireland and iPlayer…
Northern Ireland Screen
Northern Ireland's fund for television made in Irish, across every genre, with the broadcaster usually matching development money and the fund investing up to four hundred thousand pounds…
Northern Ireland Screen
Northern Ireland Screen's only door for an individual writer: up to four first-time feature writers a year join an eight-month development scheme and can then claim a small individual award.
Northern Ireland Screen
Recoupable development money for feature film and television drama scripts, and for single projects or slates across film, TV and interactive work.
Northern Ireland Screen, with Arts Council of Northern Ireland and BFI NETWORK lottery funds
Three short film schemes under one roof for Northern Ireland talent: a production call for live action, factual and VR shorts, an animation scheme run through local studios, and a…
Northern Ireland Screen
Content money for programs and short digital work in or about Ulster-Scots culture and language, run by Northern Ireland Screen with BBC Northern Ireland as its main partner.
Scottish Documentary Institute
A small grant for the writing phase of a first or second feature documentary by a director based in Scotland, before there is anything to shoot.
Channel 4
Rather than fund one script, Channel 4 picks up to five regional companies a year (plus two digital ones) and pays for their development slates while a commissioner meets them regularly.
BMWKMS, Bundesministerium für Wohnen, Kunst, Kultur, Medien und Sport, Filmabteilung (Austrian federal ministry for arts and culture, film department)
Development grants from the arts ministry for the experimental and documentary side of Austrian film, where an individual filmmaker can apply without a company.
ÖFI, Österreichisches Filminstitut (Austrian Film Institute)
Once an Austrian company holds your script, this grant pays for the final draft, casting, locations and a production plan ahead of the ÖFI's production round.
Land Niederösterreich, Abteilung Kunst und Kultur (Lower Austria regional government, arts and culture department)
A state fund in two parts: grants for commercially difficult artistic films by Lower Austrians, taken year-round, and top-up grants for cinema features and documentaries that shoot in the…
Land Oberösterreich, Direktion Kultur und Gesellschaft (Upper Austria regional government, culture department)
Upper Austria funds development, production or release of artistic films by people who live in the state, with a treatment and synopsis enough to apply.
Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles
The producer stages of the Walloon-Brussels film commission: development money of EUR 15,000 to EUR 60,000, then production grants that reach half a million euros for a feature from the…
Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles
A full ladder for documentary in French-speaking Belgium, from EUR 10,000 to write a film through development to production grants that top out at EUR 120,000 for a series.
Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles
Series money in French-speaking Belgium flows only once a broadcaster has signed, and then it is generous: EUR 25,000 to start the writers' room, EUR 150,000 to develop and EUR 600,000 to…
VAF, Vlaams Audiovisueel Fonds (Flanders Audiovisual Fund)
Once a Flemish script has a producer, this is where it grows: development money of which at least EUR 35,000 of the top tier must go to further writing, then production grants that reach…
VAF, Vlaams Audiovisueel Fonds (Flanders Audiovisual Fund)
The Flemish fund's television arm, where a series can start with up to EUR 25,000 of script money before any channel signs on, and climb to EUR 1.3 million for a high-end production.
Wallimage, the economic film and games fund of Wallonia
An economic fund, so the question is Walloon spend rather than cultural fit, but its Wallimpact line pays producers EUR 50,000 to EUR 100,000 for scriptwriting and development, repaid only…
Национален филмов център, НФЦ (Bulgarian National Film Center)
Bulgaria runs two general sessions a year for feature projects, plus one for co-productions with the national broadcaster BNT.
Hrvatski audiovizualni centar, HAVC (Croatian Audiovisual Centre)
Croatia lets a writer apply alone for script money, and up to two co-writers may share one grant equally. Features need 70 minutes, documentaries 60, animation 24.
Hrvatski audiovizualni centar, HAVC (Croatian Audiovisual Centre)
A ring-fenced pot for family films.
Hrvatski audiovizualni centar, HAVC (Croatian Audiovisual Centre)
The television twin of HAVC's film development call, for series writers.
Státní fond audiovize (Czech Audiovisual Fund)
Second-stage development money for Czech feature fiction projects that already have a first draft.
Det Danske Filminstitut (Danish Film Institute)
The artistic track for Danish documentaries and short fiction, including an idea stage for documentaries that only the director needs to sign.
Det Danske Filminstitut (Danish Film Institute)
Debut long films made cheaply, with the talent's voice as the point. A producer and director apply together; a screenwriter joins that team rather than applying alone.
Det Danske Filminstitut (Danish Film Institute)
Denmark's money for drama series, documentary series and audio made for commercial broadcasters and streamers rather than DR. Development support can pay for scripts, research, casting and…
Det Danske Filminstitut (Danish Film Institute)
Denmark's main route for features judged on their artistic merit.
Det Danske Filminstitut (Danish Film Institute)
For Danish features expected to draw a larger cinema audience than the national average.
Western Denmark's regional fund for features, series, documentaries and animated shorts at development and production stage.
The film fund for Funen and its islands, paying development and production money to features, documentaries and drama series that shoot or hire on the island.
Eesti Kultuurkapital (Cultural Endowment of Estonia)
Estonia's second film funder, financed by excise taxes and run as an endowment with four deadlines a year.
Eesti Filmi Instituut (Estonian Film Institute)
One pair of rounds a year covers both stages of an Estonian documentary: up to EUR 25,000 to develop and up to EUR 200,000 to produce.
Eesti Filmi Instituut (Estonian Film Institute)
Development support for Estonian fiction features, capped at EUR 50,000 and applied for by a producer twice a year.
AVEK, Audiovisuaalisen kulttuurin edistämiskeskus (Promotion Centre for Audiovisual Culture), part of Kopiosto
For production companies making documentaries, shorts, short animation and media art, with the emphasis on early content development but room to fund later stages or a whole small…
Suomen elokuvasäätiö (Finnish Film Foundation)
Development money for Finnish production companies, paying for script writing and development, production planning, design and the work needed to build a budget and finance plan.
Kone Foundation (Koneen Saatio)
Finland's largest private arts funder pays artists a monthly grant to work in peace, from six months to three years, and says yes to every art form, so a screenwriter applies on the…
CNC, Centre national du cinéma et de l'image animée (French national film center)
France's main public development money for feature films pays the producer to option rights, write and rewrite.
CNC, Centre national du cinéma et de l'image animée (French national film center)
A newer CNC line for documentary series, paying the author EUR 15,000 to write a show of three or more episodes before any broadcaster is involved.
CNC, Centre national du cinéma et de l'image animée (French national film center)
Documentary writers can start here alone with EUR 10,000 and stay in the same fund as a producer comes on board, up to a reinforced development sum that pays for a first shoot.
CNC, Centre national du cinéma et de l'image animée, with the Agence nationale de la cohésion des territoires
A fund for stories about the France that mainstream screens miss, reformed in April 2026.
Région Nouvelle-Aquitaine, run with ALCA (the regional book, film and audiovisual agency)
One of the biggest regional funds in France, covering writing, development and production for cinema and television across six genre committees.
Procirep and Angoa (French producers' collecting societies)
Money that French producers' own collecting societies put back into writing: around EUR 15 million a year across cinema and television.
FFA, Filmförderungsanstalt (German Federal Film Board)
Development money for the stage after the script: rights, further drafts, casting, budgeting. A production company applies, except in documentary, where writers and directors may come alone.
Kuratorium junger deutscher Film (foundation for young German film)
Where first and second films by German writers, directors and producers go for development and production money since the FFA handed talent films to the Kuratorium in January 2026.
FFA, Filmförderungsanstalt (German Federal Film Board)
New under the 2025 film law: when a German feature scores reference points, its writer and director get their own pot to spend on the next script, from a first idea to a finished…
Film- und Medienstiftung NRW (North Rhine-Westphalia film and media foundation)
A ladder of grants from a five-thousand-euro exposé to a twenty-thousand-euro screenplay, with the first rung open to NRW writers on their own and no producer required.
nordmedia, Film- und Mediengesellschaft Niedersachsen/Bremen
Lower Saxony and Bremen's fund lets a writer apply for script development money alone, up to EUR 30,000, though the sum is a loan due if the film gets made.
Film- und Medienstiftung NRW (North Rhine-Westphalia film and media foundation)
Since 2002 this NRW stipend has paid young documentary makers to develop a cinema feature before any producer is attached: a treatment, research trips, a visual concept.
MOIN Filmförderung Hamburg Schleswig-Holstein
NEST replaced the treatment and screenplay schemes in Hamburg and Schleswig-Holstein in favor of a residency plus tools model: EUR 7,500 for the idea, a week with Le Groupe Ouest, then a…
MFG Baden-Württemberg, Filmförderung (Baden-Württemberg film fund)
Stuttgart's production loan for cinema and television films, with a pre-production line beside it. The fund's news names its films, from an animated NEINhorn to the Emmy-nominated Lenas Hof.
HessenFilm und Medien (Hessen film and media fund)
Everything after the script in Hessen: pre-production grants, a Setzkasten that bundles treatment, development and preparation, slate funding for small companies, and a production loan…
MOIN Filmförderung Hamburg Schleswig-Holstein
Two committees split Hamburg's production money by budget, Director's Cut below EUR 2.5 million and High End above, with project development and completion lines alongside.
FFF Bayern, FilmFernsehFonds Bayern (Bavarian film and television fund)
The step between a finished Bavarian screenplay and the shoot: a loan to the producer for casting, budgeting and further drafts, with recent awards between EUR 30,000 and EUR 85,000 per…
Film- und Medienstiftung NRW (North Rhine-Westphalia film and media foundation)
The production line of Germany's biggest regional fund, covering pre-production, the shoot, post, distribution and world sales.
Medienboard Berlin-Brandenburg
Berlin-Brandenburg's script money goes to the producer developing your screenplay, as a loan that comes back only if the film happens.
MDM, Mitteldeutsche Medienförderung (central German media fund for Saxony, Saxony-Anhalt and Thuringia)
Central Germany funds a writer's screenplay, series concept or storyworld with a loan of up to EUR 25,000, rising to EUR 30,000 through a company, then project development and production…
MV Filmförderung (Mecklenburg-Vorpommern film fund)
A small northeastern fund with an unusual perk: script development is an outright grant of up to EUR 20,000, and a writer can apply with just a producer's letter.
EKKOMED, Hellenic Film and Audiovisual Center (formerly the Greek Film Centre)
Greece's core development and production money, applied for by a producer with the writer's contract in the file.
Nemzeti Filmintézet, NFI (National Film Institute Hungary)
Hungary's national money for scripts is on hold.
Kvikmyndamiðstöð Íslands (Icelandic Film Centre)
Development money for feature length fiction, scripted series and long documentaries, paid to an Icelandic production company in up to two parts.
Direzione Generale Cinema e Audiovisivo, Ministero della Cultura
Development money for Italian producers taking a script over 52 minutes toward production, non-repayable, with at most eleven film and six series projects funded per session.
Lombardia Film Commission (Regione Lombardia)
A young development call, now in its second year, paying for writing and pre-production of films and series with Lombardy as a setting and a resource.
Regione Autonoma della Sardegna, Servizio sport, spettacolo e cinema
Sardinia's cinema law has a line just for screenplays, paid to a company developing a script of regional interest, beside its calls for shorts, features and distribution.
The development half of the Friuli Venezia Giulia system: three calls a year for development, distribution and training, run by a fund that also hosts the When East Meets West forum.
Regione Emilia-Romagna, through Emilia-Romagna Film Commission
Since 2016 the region has funded development and production under its own film law, and it keeps a public catalogue of every supported work, with the development projects listed by company…
IDM Südtirol Alto Adige, Film Fund and Commission
Open to producers from any country, which is rare for a regional fund, as long as the shoot touches South Tyrol.
Film Commission Torino Piemonte
The oldest Italian fund for documentary, running since 2007, with a development line that covers research, writing and a promo, and a production line for shooting and post in Piedmont.
Film Commission Torino Piemonte, with Fondazione Compagnia di San Paolo and Regione Piemonte
Development support for Piedmont producers aimed at projects that can travel as European co-productions, including with broadcasters.
Qendra Kinematografike e Kosovës, QKK (Kosovo Cinematography Center)
Kosovo's yearly call has 14 categories, and two pay for writing: screenplay support for a feature (fiction or animated) and, new in 2026, for a television series, beside a project…
Nacionālais kino centrs (National Film Centre of Latvia)
Latvia's yearly development call, paying for script writing, research, character and visual design on features, long documentaries, animated features and series.
Valsts kultūrkapitāla fonds, VKKF (State Culture Capital Foundation)
Latvia's arts foundation runs three open competitions a year, with film as one sector.
Lietuvos kino centras (Lithuanian Film Centre)
Lithuania's state film money for the stages before shooting, from writing a feature or animated feature script to developing documentaries, series, interactive work and debut films.
Film Fund Luxembourg (Fonds national de soutien à la production audiovisuelle)
The producer-side writing and development aid in Luxembourg, up to EUR 60,000 per phase, scored by a five-member committee on a points grid.
Centrul Național al Cinematografiei (National Cinematography Center of Moldova)
Moldova's annual competition judges the screenplay first, then a pitch, then two scored stages, and publishes every list along the way, down to the sum each project asked for and received.
Filmski centar Crne Gore (Film Centre of Montenegro)
Montenegro's centre describes an annual call in three parts, script development, project development and production, but the 2026 call opened only production categories: features with…
Nederlands Filmfonds (Netherlands Film Fund)
The Dutch route from idea to first draft, worth up to EUR 35,000 for the writer, open to an experienced screenwriter without a producer.
Nederlands Filmfonds (Netherlands Film Fund)
Two years of script development money for a producer's whole slate rather than one film: up to EUR 420,000 to write four to six screenplays.
Hubert Bals Fund, International Film Festival Rotterdam
One of the few international grants a writer-director can take alone and spend on writing: research, drafts, translation, a script consultant or a trip to pitch.
IDFA Bertha Fund, International Documentary Film Festival Amsterdam
A documentary development grant the director applies for alone, with research, writing and a teaser all allowed costs, from the fund of the world's largest documentary festival.
NPO-fonds (fund of the Dutch public broadcasters)
The money behind most Dutch public-television drama and documentary, applied for by the broadcaster rather than the maker.
Norsk filminstitutt (Norwegian Film Institute)
NFI's low budget talent program for first long films and series, in fiction, documentary and hybrid form.
Norsk filminstitutt (Norwegian Film Institute)
NFI's development track for features of any genre judged on artistic quality, carrying a project through one or more phases until a production decision can be taken.
The investment and grant fund for central Norway, covering drama and documentary series, features and cinema documentaries.
The regional film centre for Rogaland, around Stavanger, paying development and production grants for shorts, long formats since 2024, and series, plus writing fees inside its audiovisual…
Western and southern Norway's media fund, mixing earmarked state grants with a private investment arm that reports a 7.8 percent return.
ICA, Instituto do Cinema e do Audiovisual
The television and streaming sibling of the film writing support: a producer draws up to EUR 30,000 to write and develop a series, or EUR 80,000 when a pilot is part of the plan.
ICA, Instituto do Cinema e do Audiovisual
Portugal's writing and development support pays a producer to fund the writer and the first development steps, with a plans track for slates of three or more projects and a singles track…
Audiovizuálny fond (Slovak Audiovisual Fund)
Slovakia pays for development twice over: a flat grant to the producer, sized by the kind of work, and a creative scholarship an author can claim alone to write.
Slovenski filmski center (Slovenian Film Centre)
Slovenia splits development in two: a script strand a self-employed screenwriter can enter directly, worth up to EUR 20,000, and a project strand for producers worth up to EUR 40,000.
Institut Valencià de Cultura, IVC (Generalitat Valenciana)
Valencia pays a writer EUR 9,600 to draft a feature, miniseries, documentary or animated script, read anonymously as a treatment, a note of intent and a five-minute sample.
Agencia Andaluza de Instituciones Culturales (Junta de Andalucía)
Andalusia pays a producer to carry a project from script to package, half up front.
Basque Government, Department of Culture and Language Policy
Development money for features and series that puts the script first: at least 45 percent of the grant must go to writing the screenplay, 35 percent for animation and documentary.
AGADIC, Axencia Galega das Industrias Culturais (Xunta de Galicia)
Galicia funds the pre-production stretch of features and series for producers working from the region, in a single-project modality or a package of projects with a stated selection strategy.
ICEC, Institut Català de les Empreses Culturals (Generalitat de Catalunya)
Catalonia's development line pays a producer to take a treatment or script toward financing, and the rules tie 40 percent of the grant to script costs, so the writer is paid from it.
Svenska Filminstitutet with SVT (Swedish Film Institute)
A talent scheme run by the Swedish Film Institute and SVT for low budget fiction features (around SEK 12 million) and fiction led hybrids, for directors with a few films behind them but at…
Svenska Filminstitutet (Swedish Film Institute)
Development money for Swedish documentaries, short and long, judged by a consultant and paid 80 percent on decision.
Svenska Filminstitutet (Swedish Film Institute)
The Swedish Film Institute's development money for features, covering synopsis, treatment, drafts, a dramaturg and research.
Region Skåne's film company, where a screenwriter with a small firm can apply for feature development on their own, up to SEK 50,000 as a first step.
Film Stockholm AB
The capital region's film fund, which co-produces or makes a development investment in films, TV drama and other audiovisual work with a Stockholm footprint.
Northern Sweden's co-producer for short fiction, documentary, features and TV drama, investing for rights and a share of returns.
Bundesamt für Kultur, BAK / Office fédéral de la culture (Swiss Federal Office of Culture)
Switzerland's federal money, with a CHF 30,000 screenplay grant at the writing end and production grants that reach CHF 1.2 million.
Kanton Bern, Amt für Kultur (canton of Bern)
A cantonal fund with a writer-first first step: a Bern author gets CHF 5,000 or CHF 10,000 to write a treatment, paid out as soon as it is granted, then up to CHF 30,000 for the script.
Zürcher Filmstiftung (Zurich Film Foundation)
The richest regional fund in Switzerland treats the writer as an applicant in their own right: a CHF 30,000 stipend tied to the person rather than a project, and development money an…
Ernst Goehner Stiftung
A Swiss family foundation that will pay for the development of a documentary, not just its shoot or finish, as long as the subject is Swiss and the first release is in Switzerland.
Український культурний фонд (Ukrainian Cultural Foundation)
A wartime route to script money in Ukraine: the Cultural Foundation's audiovisual program pays producers to write and package new films, UAH 300,000 to 1 million each, while the state film…
T.C. Kültür ve Turizm Bakanlığı, Sinema Genel Müdürlüğü (Turkish Ministry of Culture and Tourism, Directorate General of Cinema)
Development money for Turkish producers covering everything up to the first day of shooting, at no more than half the stated budget.
Israel Film Fund (קרן הקולנוע הישראלי)
The country's main feature fund invests in writing from an extended synopsis to a full draft, and a screenwriter can apply without a producer in the general round.
New Fund for Cinema and TV (הקרן החדשה לקולנוע וטלוויזיה)
The documentary fund of Israel's non-profit sector, backing feature-length documentaries at development, production or post-production, with several reading rounds a year.
A ministry-supported fund that invests across fiction, documentary, shorts and drama series, with a development track for scripts, a production track and a completion track.
Yehoshua Rabinovich Foundation for the Arts
A foundation-run fund supported by the culture ministry, with separate submissions for script and project development, production and completion of features, plus documentary and student…
The Royal Film Commission, Jordan
Jordan's national fund, run on Royal Film Commission money since 2011, pays for developing, shooting, finishing and releasing Jordanian features and documentaries, Arab features as…
AFAC, the Arab Fund for Arts and Culture
The main independent fund for Arab fiction features, and one a director can apply to alone with a development ask of up to USD 10,000; up to 30 percent of any grant may pay the director's…
AFAC, the Arab Fund for Arts and Culture
AFAC's documentary strand runs on the spring call, two months ahead of the fiction one, with the same ceilings: USD 10,000 to develop a feature documentary, up to 50,000 to shoot it.
A rare worldwide grant for a first or second feature at the development stage, with real money behind it: up to USD 20,000 to write and package a narrative feature, more later for…
Red Sea Film Foundation
A young fund with deep pockets covering the Arab world, Africa and Asia, with a development window each May for features and series.
FOPICA, Fonds de Promotion de l'Industrie Cinématographique et Audiovisuelle (Senegal)
Senegal's state fund has a development line that an author can apply for directly, paying up to XOF 5 million for rewriting, scouting, casting and the hunt for co-producers before a film…
NFVF, National Film and Video Foundation (South Africa)
South Africa's national foundation pays for the writing stage itself: research, script editing and drafts for features, shorts, documentaries and TV formats, with a producer fee allowed in…
FDCP, Film Development Council of the Philippines
The Philippines' film council funds project development and production through CreatePHFilms, and its development fund names Filipino writers among those who may apply, with a concept…
KOFIC, Korean Film Council (영화진흥위원회)
Two schemes for Korean production companies developing their next feature: a planning grant of KRW 20 million per script in two rounds a year, and a next-project fund that pays KRW 8 to 40…
Screen Australia
Development money for documentaries headed for cinemas, television or direct-to-audience platforms such as YouTube and VR.
Screen Australia, First Nations Department
Treatments, draft scripts, research and sizzle shooting for documentaries by First Nations key creatives, including emerging producers.
Screen Australia, First Nations Department
Draft money for feature screenplays by Aboriginal and Torres Strait Islander writers with a track record.
Screen Australia, First Nations Department
Series bibles, treatments and scripts for telemovies and television drama led by First Nations writers. The series cap of AUD 65,000 is the highest of the department's development strands.
Screen Australia
The national agency's one development door for drama and comedy on any platform: cinema features, television and streaming series, and work released straight to online audiences.
South Australian Film Corporation (SAFC) with the ABC
Early concept money aimed at one buyer: drama, comedy, children's, factual and documentary ideas for the ABC, developed in South Australia from an outline or treatment.
Screen Queensland
Since July 2024 Queensland's development money has been a straight grant with no copyright interest taken, unusual among the Australian state agencies.
VicScreen
Victoria's open-door development scheme for fiction, documentary and VR, with no closing date.
Screen NSW
New South Wales pays only the NSW spend, so a Sydney-based writer's fee is exactly what it covers.
South Australian Film Corporation (SAFC)
A development grant that opens after the first draft and asks for a South Australian writer or director from an underrepresented group, with D/deaf and disabled creatives first in line.
Screenwest
Pitch decks, treatments, sizzle reels and the attaching of producers for Western Australian documentary features, singles, series and large-format work.
Screenwest
Year-round development money for First Nations writers and producers in Western Australia, covering writers' rooms, new drafts, story developers and casting agents for scripted work, or…
Screenwest
Once a broadcaster or distributor puts development money into a Western Australian project, Screenwest can match it within eight weeks of the deal. The investment is repaid on production.
South Australian Film Corporation (SAFC)
Automatic rather than judged: if a project led from South Australia has development money confirmed from Screen Australia or the market, the SAFC matches it, subject to funds.
VicScreen
Slate money for established Victorian drama and comedy companies: at least three early-stage series over 12 to 24 months, with VicScreen's grant matched by the company and not recouped.
Screenwest
Small early money, AUD 10,000 at most, to take a long-form idea to market-ready pitch materials in Western Australia.
Screenwest
Development money for Western Australian features and television series that already have real material: outlines, a pilot, a bible or a draft screenplay. Four rounds a year.
NZ On Air with Sky and Dynamic Television
A new co-development fund, announced October 29, 2026, for up to three one-hour New Zealand drama series with international legs.
Te Māngai Pāho (Māori Broadcasting Funding Agency)
The Māori broadcasting agency funds te reo Māori content by language level rather than platform, through themed rounds: Ngahau for entertainment, Whāngai for learners, Mōhiohio for factual…
Te Tumu Whakaata Taonga, New Zealand Film Commission (NZFC)
The commission's single development door, folded from the old Early and Advanced schemes, and one a writer can walk through alone.
Irirangi Te Motu, NZ On Air
New Zealand's public media fund backs local television, on-demand and online content through three rounds a year, and sets aside about NZD 1 million of it for content development, mostly…
Creative Europe MEDIA, European Commission
Money for one project developed jointly by producers in two or more European countries, so a writer whose story crosses a border can be paid while two companies share the work.
Creative Europe MEDIA, European Commission
The smaller sibling of slate development: two or three projects on one grant, which suits a young company with a couple of writers attached rather than a studio.
Creative Europe MEDIA, European Commission
The largest development pot in Europe, paid to production companies rather than writers: a company develops three to five projects at once on one grant, which keeps writers employed across…
Creative Europe MEDIA, European Commission
Development money for interactive storytelling rather than film: narrative video games and immersive experiences with a story at their core.