Documentary Development Program
Screen Australia
Development money for documentaries headed for cinemas, television or direct-to-audience platforms such as YouTube and VR.
48 funds a writer based in Australia can apply to: 31 at home and 17 from Europe and the world. 17 take an application from the writer alone.
48 listed.
Nothing matches. Try another stage, or leave the country on "any country": international funds are listed under every country they are open to.
National and regional funds, broadcasters and foundations at home.
Screen Australia
Development money for documentaries headed for cinemas, television or direct-to-audience platforms such as YouTube and VR.
Screen Australia
Three lanes for documentary production: Producer First for films still closing finance, Platform First for commissioned programs, and Direct-to-Audience for work released on YouTube…
Screen Australia, First Nations Department
Treatments, draft scripts, research and sizzle shooting for documentaries by First Nations key creatives, including emerging producers.
Screen Australia, First Nations Department
Draft money for feature screenplays by Aboriginal and Torres Strait Islander writers with a track record.
Screen Australia, First Nations Department
Production and post-production investment for low-budget features written and directed by First Nations filmmakers.
Screen Australia, First Nations Department
Series bibles, treatments and scripts for telemovies and television drama led by First Nations writers. The series cap of AUD 65,000 is the highest of the department's development strands.
Screen Australia
The national agency's one development door for drama and comedy on any platform: cinema features, television and streaming series, and work released straight to online audiences.
Screen Australia
Production finance for features, television and direct-to-audience drama, in two feature lanes: Market First for packages with distribution attached and Creative First for bolder films…
South Australian Film Corporation (SAFC) with the ABC
Early concept money aimed at one buyer: drama, comedy, children's, factual and documentary ideas for the ABC, developed in South Australia from an outline or treatment.
Screen Queensland
Since July 2024 Queensland's development money has been a straight grant with no copyright interest taken, unusual among the Australian state agencies.
VicScreen
Victoria's open-door development scheme for fiction, documentary and VR, with no closing date.
Screen NSW
New South Wales pays only the NSW spend, so a Sydney-based writer's fee is exactly what it covers.
Screen Canberra, for the ACT Government
Grants for Canberra creators who publish their own short-form narrative, comedy, factual or animation online, with two local key creatives and no commission attached.
South Australian Film Corporation (SAFC)
A development grant that opens after the first draft and asks for a South Australian writer or director from an underrepresented group, with D/deaf and disabled creatives first in line.
Screenwest
Pitch decks, treatments, sizzle reels and the attaching of producers for Western Australian documentary features, singles, series and large-format work.
Screenwest
Production money for Western Australian documentary singles, series, features and large-format films that already have a market partner, matched against that partner's cash.
Screenwest
Year-round development money for First Nations writers and producers in Western Australia, covering writers' rooms, new drafts, story developers and casting agents for scripted work, or…
Screenwest
Once a broadcaster or distributor puts development money into a Western Australian project, Screenwest can match it within eight weeks of the deal. The investment is repaid on production.
South Australian Film Corporation (SAFC)
Automatic rather than judged: if a project led from South Australia has development money confirmed from Screen Australia or the market, the SAFC matches it, subject to funds.
Screen Queensland
A rare production grant a solo writer-creator can hold alone: episodic series for YouTube, TikTok or Instagram, or one-off XR, with no IP taken and marketing costs allowed.
VicScreen
Slate money for established Victorian drama and comedy companies: at least three early-stage series over 12 to 24 months, with VicScreen's grant matched by the company and not recouped.
Screen NSW
The state's production money is a grant, not equity: Screen NSW cash-flows it and the producer keeps ownership.
Screen Queensland
Production finance for features, series and documentaries that spend in Queensland, scaled to that spend.
South Australian Film Corporation (SAFC)
South Australia's main production money, sized at up to a tenth of what a project spends in the state and open all year.
Screen NSW
A short-film production fund for New South Wales teams led or co-led by a filmmaker with a disability.
Screenwest
Small early money, AUD 10,000 at most, to take a long-form idea to market-ready pitch materials in Western Australia.
Screenwest
Grant finance of up to AUD 700,000 for features and series shot in Western Australia with a buyer already attached.
Screenwest
Development money for Western Australian features and television series that already have real material: outlines, a pilot, a bible or a draft screenplay. Four rounds a year.
Screen Queensland
Grants of up to AUD 50,000 for 5 to 15 minute shorts aimed at cinema screens, with a polished screenplay required at application and no treatments accepted.
Screen Canberra, for the ACT Government
Canberra's production grant for scripted and unscripted work with a confirmed path to audience, from a commercial half hour upward, paying up to AUD 300,000 without recoupment.
VicScreen
Production investment tied to how much a film or series spends in Victoria: between 3 and 10 percent of that spend, cash-flowed into the production while the producer keeps the equity.
European and international funds, and funds from other countries that take applications from here.
Catapult Film Fund
Seed money for documentaries at the point where nobody else will pay: a grant to shoot and cut the sample that raises the rest.
Perspective Fund
A private documentary funder that reads inquiries all year and writes checks of USD 25,000 to 150,000 without taking rights or credits below USD 150,000.
International Documentary Association, with the John D. and Catherine T. MacArthur Foundation
A production fund for documentaries built on reporting, created in 2017 as an answer to misinformation.
Ford Foundation
The foundation behind much of American social-issue documentary takes direct proposals from filmmakers through a periodic open call, scored on fit with Ford's justice themes…
the Academy of Motion Picture Arts and Sciences
The best known paid year of writing in American film: a USD 35,000 stipend to finish a new feature screenplay, open to unproduced writers anywhere in the world.
Chicken & Egg Films
Paid thinking time for women and gender-expansive documentary directors between films: a USD 10,000 research grant or a USD 20,000 development grant, with the stage chosen by the applicant.
From the Heart Productions
Small cash, large bundle: the winner takes USD 3,500 and a package of donated post, music and consulting worth several times that, for a film meant to do some good.
Post-production money for feature documentaries that are shot but not cut, from the San Francisco festival's foundation arm.
SFFILM, with the Kenneth Rainin Foundation
One of the few American grants that pays a screenwriter directly to write, and it can also fund packaging or the edit of the same film later.
CNC, Centre national du cinéma et de l'image animée, with the Institut français
The French door for filmmakers from anywhere else: a grant of up to EUR 300,000 for a feature co-produced with a French company, and a smaller sum to finish a film already shot.
Association Beaumarchais-SACD
A writer alone, writing in French from anywhere in the world, can win EUR 5,000 for a first or second fiction feature.
Association Beaumarchais-SACD
The television twin of the Beaumarchais feature bursary: EUR 5,000 to an emerging writer for an original series or single drama in French, with web series welcome.
Trentino Film Commission, Trentino Sviluppo (Provincia autonoma di Trento)
A production fund for works shot in Trentino, with the committee meeting about every three months and approved projects listed on the portal back to 2011.
Regione Autonoma della Sardegna and Fondazione Sardegna Film Commission
Money for bigger films that bring a shoot to Sardinia, in three categories by budget size, with a documentary strand. The round was reopened in autumn 2026 for the remaining funds.
Regione Friuli Venezia Giulia, through Friuli Venezia Giulia Film Commission
A production fund scored on how much of the film happens in the region, with three closing dates a year and a ranking issued within 30 days of each.
IDM Südtirol Alto Adige, Film Fund and Commission
Open to producers from any country, which is rare for a regional fund, as long as the shoot touches South Tyrol.
A rare worldwide grant for a first or second feature at the development stage, with real money behind it: up to USD 20,000 to write and package a narrative feature, more later for…